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 Posted: Tue Jul 03, 2007 9:52 pm
Die Blutgrafin Shinta Hitokiri Die Blutgrafin Shinta Hitokiri Die Blutgrafin Well, as I said, that would be the one time I could see doing it, but even then, I'd prefer to avoid carrying it openly. You can get a sword bag, or just put it with your uniform. I don't like the idea of telling everyone that you're about to begin a training session with a bladed weapon. I have nothing against it, but the problem lies in that many do. Yes, well, I'd get a bag for my blade more as protection, rather than worrying about hiding its identity, to be honest. In my art, it is of equal importance. That makes sense, to be honest. What is your art, if I may be so bold as to ask? I prefer to avoid stating this, just because there is so much, ridiculously inaccurate stereotype surrounding it, that often causes the message to be lost. Although, misinformation has always been a part of the art. It's a paradox, really. I study Bujinkan Ninjutsu. I hope (and don't doubt) that you are one of the few who sees past all the stereotype, and can acknowledges the art for what it is. I had the feeling it was some style of ninjutsu when you mentioned that chopsticks are effective weapons. I really don't know what style of ninjutsu a friend of mine took, but I know that he took two or three years worth of it. As for me, I won't be satisfied until I at least attain the honor of the rank of knight in my kenjutsu class.
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Posted: Tue Jul 03, 2007 9:53 pm
Falabella I have yet to really see more than a handful of material on anything remotely near dim mak. Alot of it is on qi striking of the acupoints, but these aren't the actual dim mak points, the dim mam points consist of 100 additional points that have been written down in a manner to disguise their true locations and purposes. Alot of people say dim mak, and it's the acupoints. Also, I have yet to meet someone who actually teaches how to project your qi in a manner to strike the points effectively. Likewise, I highly doubt this state is attainable outside of years at the monestary. The monks do not train so dilligently at this art because it is easy to learn. True. Dim mak isn't even something that very many people would care to learn, let alone be able, so the likelihood of there being so many teachers of it is not good. The thing is that it takes such a skill level to make the real thing work that by the time you get good enough to use it you no longer need it. It just isn't practical unless you are planning on single handedly defeating an army. Although I don't believe Miyamoto Musashi knew dim mak, and he was said to have slaughtered an army with only a bamboo kendo sword.
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Posted: Tue Jul 03, 2007 9:55 pm
Wyedg Falabella I have yet to really see more than a handful of material on anything remotely near dim mak. Alot of it is on qi striking of the acupoints, but these aren't the actual dim mak points, the dim mam points consist of 100 additional points that have been written down in a manner to disguise their true locations and purposes. Alot of people say dim mak, and it's the acupoints. Also, I have yet to meet someone who actually teaches how to project your qi in a manner to strike the points effectively. Likewise, I highly doubt this state is attainable outside of years at the monestary. The monks do not train so dilligently at this art because it is easy to learn. True. Dim mak isn't even something that very many people would care to learn, let alone be able, so the likelihood of there being so many teachers of it is not good. The thing is that it takes such a skill level to make the real thing work that by the time you get good enough to use it you no longer need it. It just isn't practical unless you are planning on single handedly defeating an army. Although I don't believe Miyamoto Musashi knew dim mak, and he was said to have slaughtered an army with only a bamboo kendo sword. Musashi was an incredible swordsman, from what I have heard of the stories. After all, he created Nito Ryu, if I'm not mistaken, which is a two sword style, though it will be a good while before I learn florentine.
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Posted: Tue Jul 03, 2007 10:08 pm
Shinta Hitokiri Die Blutgrafin Shinta Hitokiri Die Blutgrafin Shinta Hitokiri Die Blutgrafin Well, as I said, that would be the one time I could see doing it, but even then, I'd prefer to avoid carrying it openly. You can get a sword bag, or just put it with your uniform. I don't like the idea of telling everyone that you're about to begin a training session with a bladed weapon. I have nothing against it, but the problem lies in that many do. Yes, well, I'd get a bag for my blade more as protection, rather than worrying about hiding its identity, to be honest. In my art, it is of equal importance. That makes sense, to be honest. What is your art, if I may be so bold as to ask? I prefer to avoid stating this, just because there is so much, ridiculously inaccurate stereotype surrounding it, that often causes the message to be lost. Although, misinformation has always been a part of the art. It's a paradox, really. I study Bujinkan Ninjutsu. I hope (and don't doubt) that you are one of the few who sees past all the stereotype, and can acknowledges the art for what it is. I had the feeling it was some style of ninjutsu when you mentioned that chopsticks are effective weapons. I really don't know what style of ninjutsu a friend of mine took, but I know that he took two or three years worth of it. As for me, I won't be satisfied until I at least attain the honor of the rank of knight in my kenjutsu class. Yeah, that could've done it. But, oddly, in Kung Fu, I'd say it's more likely. Then again, it's said that Ninjutsu was a descendant art of Kung Fu. It's quite interesting. I've been studying for a number of years now, but to be honest, I feel it requires a life of study. "No matter how much I learn, it is never enough." May I ask what style of Kenjutsu you practice? In Bujinkan Ninjutsu, we have our own style of it, but I imagine it's much, much different.
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Posted: Tue Jul 03, 2007 10:45 pm
Die Blutgrafin Shinta Hitokiri Die Blutgrafin Shinta Hitokiri Die Blutgrafin In my art, it is of equal importance. That makes sense, to be honest. What is your art, if I may be so bold as to ask? I prefer to avoid stating this, just because there is so much, ridiculously inaccurate stereotype surrounding it, that often causes the message to be lost. Although, misinformation has always been a part of the art. It's a paradox, really. I study Bujinkan Ninjutsu. I hope (and don't doubt) that you are one of the few who sees past all the stereotype, and can acknowledges the art for what it is. I had the feeling it was some style of ninjutsu when you mentioned that chopsticks are effective weapons. I really don't know what style of ninjutsu a friend of mine took, but I know that he took two or three years worth of it. As for me, I won't be satisfied until I at least attain the honor of the rank of knight in my kenjutsu class. Yeah, that could've done it. But, oddly, in Kung Fu, I'd say it's more likely. Then again, it's said that Ninjutsu was a descendant art of Kung Fu. It's quite interesting. I've been studying for a number of years now, but to be honest, I feel it requires a life of study. "No matter how much I learn, it is never enough." May I ask what style of Kenjutsu you practice? In Bujinkan Ninjutsu, we have our own style of it, but I imagine it's much, much different. Well, it's more than just kenjutsu that I'm going to be learning, to be honest. The greatest weapon is the sword, which is why that is the central focal point of the class, but I'm also going to be learing a multitud of other styles of weapons combat. What I'm currently learing: Kenjutsu, knife/dagger fighting, hand to hand, and stick fighting (24" stick). As far as the other styles I know I'll be getting to in the future, I'll also learn sword and shield, filipino knife fighting, Jo, Bo staff, Longsword, Hand and a half, short sword, spear, Ju Jitsu, florentine, as well as saber and rapier fencing. I may have missed some in that list, but I'm sure that you get the idea that it's a very extensive class. Oh, and the greatest thing is, the class is free. All it costs is what I'm willing to spend on materials I need for training and such.
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Posted: Tue Jul 03, 2007 10:58 pm
Shinta Hitokiri Die Blutgrafin Shinta Hitokiri Die Blutgrafin Shinta Hitokiri Die Blutgrafin In my art, it is of equal importance. That makes sense, to be honest. What is your art, if I may be so bold as to ask? I prefer to avoid stating this, just because there is so much, ridiculously inaccurate stereotype surrounding it, that often causes the message to be lost. Although, misinformation has always been a part of the art. It's a paradox, really. I study Bujinkan Ninjutsu. I hope (and don't doubt) that you are one of the few who sees past all the stereotype, and can acknowledges the art for what it is. I had the feeling it was some style of ninjutsu when you mentioned that chopsticks are effective weapons. I really don't know what style of ninjutsu a friend of mine took, but I know that he took two or three years worth of it. As for me, I won't be satisfied until I at least attain the honor of the rank of knight in my kenjutsu class. Yeah, that could've done it. But, oddly, in Kung Fu, I'd say it's more likely. Then again, it's said that Ninjutsu was a descendant art of Kung Fu. It's quite interesting. I've been studying for a number of years now, but to be honest, I feel it requires a life of study. "No matter how much I learn, it is never enough." May I ask what style of Kenjutsu you practice? In Bujinkan Ninjutsu, we have our own style of it, but I imagine it's much, much different. Well, it's more than just kenjutsu that I'm going to be learning, to be honest. The greatest weapon is the sword, which is why that is the central focal point of the class, but I'm also going to be learing a multitud of other styles of weapons combat. What I'm currently learing: Kenjutsu, knife/dagger fighting, hand to hand, and stick fighting (24" stick). As far as the other styles I know I'll be getting to in the future, I'll also learn sword and shield, filipino knife fighting, Jo, Bo staff, Longsword, Hand and a half, short sword, spear, Ju Jitsu, florentine, as well as saber and rapier fencing. I may have missed some in that list, but I'm sure that you get the idea that it's a very extensive class. Oh, and the greatest thing is, the class is free. All it costs is what I'm willing to spend on materials I need for training and such. I agree. The Katana, especially. I am quite fond of Naginata and Yari, as well, though. I quite like the range. We do a bit of Bojutsu, as well (art of stick fighting). That sounds quite interesting. I didn't really think it would be a class that revolves solely around the sword. It is an incredibly effective weapon, but not a complete system in itself. I do think other styles should adopt the sword, though. It greatly improves posture, positioning, and footwork. I've studied (but never practiced) a few Filipino arts, but they seem very effective, from what I've seen. That's quite bizarre, actually. Although, it's very cool. My class isn't free, but it's not too pricey. I think it's a good idea to charge for the type of class it is, though. I think it keeps a few of the, "I'm gonna be a Ninja!" type people out. There are a few of those.
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Posted: Tue Jul 03, 2007 11:35 pm
Die Blutgrafin Shinta Hitokiri Die Blutgrafin Shinta Hitokiri Die Blutgrafin I prefer to avoid stating this, just because there is so much, ridiculously inaccurate stereotype surrounding it, that often causes the message to be lost. Although, misinformation has always been a part of the art. It's a paradox, really. I study Bujinkan Ninjutsu. I hope (and don't doubt) that you are one of the few who sees past all the stereotype, and can acknowledges the art for what it is. I had the feeling it was some style of ninjutsu when you mentioned that chopsticks are effective weapons. I really don't know what style of ninjutsu a friend of mine took, but I know that he took two or three years worth of it. As for me, I won't be satisfied until I at least attain the honor of the rank of knight in my kenjutsu class. Yeah, that could've done it. But, oddly, in Kung Fu, I'd say it's more likely. Then again, it's said that Ninjutsu was a descendant art of Kung Fu. It's quite interesting. I've been studying for a number of years now, but to be honest, I feel it requires a life of study. "No matter how much I learn, it is never enough." May I ask what style of Kenjutsu you practice? In Bujinkan Ninjutsu, we have our own style of it, but I imagine it's much, much different. Well, it's more than just kenjutsu that I'm going to be learning, to be honest. The greatest weapon is the sword, which is why that is the central focal point of the class, but I'm also going to be learing a multitud of other styles of weapons combat. What I'm currently learing: Kenjutsu, knife/dagger fighting, hand to hand, and stick fighting (24" stick). As far as the other styles I know I'll be getting to in the future, I'll also learn sword and shield, filipino knife fighting, Jo, Bo staff, Longsword, Hand and a half, short sword, spear, Ju Jitsu, florentine, as well as saber and rapier fencing. I may have missed some in that list, but I'm sure that you get the idea that it's a very extensive class. Oh, and the greatest thing is, the class is free. All it costs is what I'm willing to spend on materials I need for training and such. I agree. The Katana, especially. I am quite fond of Naginata and Yari, as well, though. I quite like the range. We do a bit of Bojutsu, as well (art of stick fighting). That sounds quite interesting. I didn't really think it would be a class that revolves solely around the sword. It is an incredibly effective weapon, but not a complete system in itself. I do think other styles should adopt the sword, though. It greatly improves posture, positioning, and footwork. I've studied (but never practiced) a few Filipino arts, but they seem very effective, from what I've seen. That's quite bizarre, actually. Although, it's very cool. My class isn't free, but it's not too pricey. I think it's a good idea to charge for the type of class it is, though. I think it keeps a few of the, "I'm gonna be a Ninja!" type people out. There are a few of those. Most dojos in the area do a little swordplay, but they won't be a challenge before long. As far as the class being free, just the investment of a good bokken tend to keep the people who aren't dedicated out. Now that I think about it, I still need to see about being a squire to the Maestro. As far as effective weapons go, a stick is the second most effective, second being to the sword. you probaly wouldn't like the the size my bokken is (and this fits me perfectly as a katana). It's 54" long. On anyone other than me, it'd be like a hand and a half sword. Besides, it's not like the class meets in a dojo or anything, which is why it's free. In fact, we meet in a public park, but it works quite well.
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Posted: Wed Jul 04, 2007 12:03 am
Shinta Hitokiri Die Blutgrafin Shinta Hitokiri Die Blutgrafin Shinta Hitokiri Die Blutgrafin I prefer to avoid stating this, just because there is so much, ridiculously inaccurate stereotype surrounding it, that often causes the message to be lost. Although, misinformation has always been a part of the art. It's a paradox, really. I study Bujinkan Ninjutsu. I hope (and don't doubt) that you are one of the few who sees past all the stereotype, and can acknowledges the art for what it is. I had the feeling it was some style of ninjutsu when you mentioned that chopsticks are effective weapons. I really don't know what style of ninjutsu a friend of mine took, but I know that he took two or three years worth of it. As for me, I won't be satisfied until I at least attain the honor of the rank of knight in my kenjutsu class. Yeah, that could've done it. But, oddly, in Kung Fu, I'd say it's more likely. Then again, it's said that Ninjutsu was a descendant art of Kung Fu. It's quite interesting. I've been studying for a number of years now, but to be honest, I feel it requires a life of study. "No matter how much I learn, it is never enough." May I ask what style of Kenjutsu you practice? In Bujinkan Ninjutsu, we have our own style of it, but I imagine it's much, much different. Well, it's more than just kenjutsu that I'm going to be learning, to be honest. The greatest weapon is the sword, which is why that is the central focal point of the class, but I'm also going to be learing a multitud of other styles of weapons combat. What I'm currently learing: Kenjutsu, knife/dagger fighting, hand to hand, and stick fighting (24" stick). As far as the other styles I know I'll be getting to in the future, I'll also learn sword and shield, filipino knife fighting, Jo, Bo staff, Longsword, Hand and a half, short sword, spear, Ju Jitsu, florentine, as well as saber and rapier fencing. I may have missed some in that list, but I'm sure that you get the idea that it's a very extensive class. Oh, and the greatest thing is, the class is free. All it costs is what I'm willing to spend on materials I need for training and such. I agree. The Katana, especially. I am quite fond of Naginata and Yari, as well, though. I quite like the range. We do a bit of Bojutsu, as well (art of stick fighting). That sounds quite interesting. I didn't really think it would be a class that revolves solely around the sword. It is an incredibly effective weapon, but not a complete system in itself. I do think other styles should adopt the sword, though. It greatly improves posture, positioning, and footwork. I've studied (but never practiced) a few Filipino arts, but they seem very effective, from what I've seen. That's quite bizarre, actually. Although, it's very cool. My class isn't free, but it's not too pricey. I think it's a good idea to charge for the type of class it is, though. I think it keeps a few of the, "I'm gonna be a Ninja!" type people out. There are a few of those. Most dojos in the area do a little swordplay, but they won't be a challenge before long. As far as the class being free, just the investment of a good bokken tend to keep the people who aren't dedicated out. Now that I think about it, I still need to see about being a squire to the Maestro. As far as effective weapons go, a stick is the second most effective, second being to the sword. you probaly wouldn't like the the size my bokken is (and this fits me perfectly as a katana). It's 54" long. On anyone other than me, it'd be like a hand and a half sword. Besides, it's not like the class meets in a dojo or anything, which is why it's free. In fact, we meet in a public park, but it works quite well. A blade on the end of a stick always makes it more effective. A concealed chain works quite nicely, too. That's probably true, but it differs, in some cases. I suppose the arts themselves teach more than expenses, but it does depend. The beauty of the Katana is that the blade isn't any set length. I'd like to practice with many lengths of blades. Although, "traditionally," the Shinobi would carry a shorter blade, for a variety of reasons.
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Posted: Wed Jul 04, 2007 12:20 am
Die Blutgrafin Shinta Hitokiri Die Blutgrafin Shinta Hitokiri Die Blutgrafin Yeah, that could've done it. But, oddly, in Kung Fu, I'd say it's more likely. Then again, it's said that Ninjutsu was a descendant art of Kung Fu. It's quite interesting. I've been studying for a number of years now, but to be honest, I feel it requires a life of study. "No matter how much I learn, it is never enough." May I ask what style of Kenjutsu you practice? In Bujinkan Ninjutsu, we have our own style of it, but I imagine it's much, much different. Well, it's more than just kenjutsu that I'm going to be learning, to be honest. The greatest weapon is the sword, which is why that is the central focal point of the class, but I'm also going to be learing a multitud of other styles of weapons combat. What I'm currently learing: Kenjutsu, knife/dagger fighting, hand to hand, and stick fighting (24" stick). As far as the other styles I know I'll be getting to in the future, I'll also learn sword and shield, filipino knife fighting, Jo, Bo staff, Longsword, Hand and a half, short sword, spear, Ju Jitsu, florentine, as well as saber and rapier fencing. I may have missed some in that list, but I'm sure that you get the idea that it's a very extensive class. Oh, and the greatest thing is, the class is free. All it costs is what I'm willing to spend on materials I need for training and such. I agree. The Katana, especially. I am quite fond of Naginata and Yari, as well, though. I quite like the range. We do a bit of Bojutsu, as well (art of stick fighting). That sounds quite interesting. I didn't really think it would be a class that revolves solely around the sword. It is an incredibly effective weapon, but not a complete system in itself. I do think other styles should adopt the sword, though. It greatly improves posture, positioning, and footwork. I've studied (but never practiced) a few Filipino arts, but they seem very effective, from what I've seen. That's quite bizarre, actually. Although, it's very cool. My class isn't free, but it's not too pricey. I think it's a good idea to charge for the type of class it is, though. I think it keeps a few of the, "I'm gonna be a Ninja!" type people out. There are a few of those. Most dojos in the area do a little swordplay, but they won't be a challenge before long. As far as the class being free, just the investment of a good bokken tend to keep the people who aren't dedicated out. Now that I think about it, I still need to see about being a squire to the Maestro. As far as effective weapons go, a stick is the second most effective, second being to the sword. you probaly wouldn't like the the size my bokken is (and this fits me perfectly as a katana). It's 54" long. On anyone other than me, it'd be like a hand and a half sword. Besides, it's not like the class meets in a dojo or anything, which is why it's free. In fact, we meet in a public park, but it works quite well. A blade on the end of a stick always makes it more effective. A concealed chain works quite nicely, too. That's probably true, but it differs, in some cases. I suppose the arts themselves teach more than expenses, but it does depend. The beauty of the Katana is that the blade isn't any set length. I'd like to practice with many lengths of blades. Although, "traditionally," the Shinobi would carry a shorter blade, for a variety of reasons. Yes, I know. The tsuba is shaped differently to allow them to use it as a foot hold, if necessary, and they very often would carry bokken instead of a blade, because they were lighter, and they had no risk of cutting themselves. As far as chain combat goes, I wouldn't really know, but using aten foot bullwhip is really fun. Oh,and yes, the katana is a very versitally forged blade. I mean, practitioners of Kage-Ryu use swords about as tall as they are.
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Posted: Wed Jul 04, 2007 12:33 am
Shinta Hitokiri Die Blutgrafin Shinta Hitokiri Die Blutgrafin Shinta Hitokiri Die Blutgrafin Yeah, that could've done it. But, oddly, in Kung Fu, I'd say it's more likely. Then again, it's said that Ninjutsu was a descendant art of Kung Fu. It's quite interesting. I've been studying for a number of years now, but to be honest, I feel it requires a life of study. "No matter how much I learn, it is never enough." May I ask what style of Kenjutsu you practice? In Bujinkan Ninjutsu, we have our own style of it, but I imagine it's much, much different. Well, it's more than just kenjutsu that I'm going to be learning, to be honest. The greatest weapon is the sword, which is why that is the central focal point of the class, but I'm also going to be learing a multitud of other styles of weapons combat. What I'm currently learing: Kenjutsu, knife/dagger fighting, hand to hand, and stick fighting (24" stick). As far as the other styles I know I'll be getting to in the future, I'll also learn sword and shield, filipino knife fighting, Jo, Bo staff, Longsword, Hand and a half, short sword, spear, Ju Jitsu, florentine, as well as saber and rapier fencing. I may have missed some in that list, but I'm sure that you get the idea that it's a very extensive class. Oh, and the greatest thing is, the class is free. All it costs is what I'm willing to spend on materials I need for training and such. I agree. The Katana, especially. I am quite fond of Naginata and Yari, as well, though. I quite like the range. We do a bit of Bojutsu, as well (art of stick fighting). That sounds quite interesting. I didn't really think it would be a class that revolves solely around the sword. It is an incredibly effective weapon, but not a complete system in itself. I do think other styles should adopt the sword, though. It greatly improves posture, positioning, and footwork. I've studied (but never practiced) a few Filipino arts, but they seem very effective, from what I've seen. That's quite bizarre, actually. Although, it's very cool. My class isn't free, but it's not too pricey. I think it's a good idea to charge for the type of class it is, though. I think it keeps a few of the, "I'm gonna be a Ninja!" type people out. There are a few of those. Most dojos in the area do a little swordplay, but they won't be a challenge before long. As far as the class being free, just the investment of a good bokken tend to keep the people who aren't dedicated out. Now that I think about it, I still need to see about being a squire to the Maestro. As far as effective weapons go, a stick is the second most effective, second being to the sword. you probaly wouldn't like the the size my bokken is (and this fits me perfectly as a katana). It's 54" long. On anyone other than me, it'd be like a hand and a half sword. Besides, it's not like the class meets in a dojo or anything, which is why it's free. In fact, we meet in a public park, but it works quite well. A blade on the end of a stick always makes it more effective. A concealed chain works quite nicely, too. That's probably true, but it differs, in some cases. I suppose the arts themselves teach more than expenses, but it does depend. The beauty of the Katana is that the blade isn't any set length. I'd like to practice with many lengths of blades. Although, "traditionally," the Shinobi would carry a shorter blade, for a variety of reasons. Yes, I know. The tsuba is shaped differently to allow them to use it as a foot hold, if necessary, and they very often would carry bokken instead of a blade, because they were lighter, and they had no risk of cutting themselves. As far as chain combat goes, I wouldn't really know, but using aten foot bullwhip is really fun. Oh,and yes, the katana is a very versitally forged blade. I mean, practitioners of Kage-Ryu use swords about as tall as they are. And the list goes on. Good to hear you know, though. Many don't. The chain is an incredibly effective weapon. It's so hard to get used to, though. It, obviously, relies on similar movement to use, but the concept is very different. If you were to try it out, you'd get what I mean. There are the obvious chained weapons, as well, like manriki gusari, kusari gama, kyoketsu shoge, etc. Again, those weren't solely used by the shinobi, obviously. There are very few weapons that were. Primarily, they sought to become experts with every weapon they encountered. Most others were variations. Shinobi Gatana were, obviously, not nearly as high quality as the traditional Katana, for obvious reasons. They had their own little tricks, as you know, though. Then there was the Kama Yari, which was a very interesting, hooked spear. It's interesting, really, how they developed these weapons to be more suited for their field of operation. Most true weapons of the Shinobi were designed as tools, but, like everything else, could be used in many, many ways. I wasn't actually aware of that, but I have seen some enormous swords. I shall look into this school.
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Posted: Wed Jul 04, 2007 12:47 am
Die Blutgrafin Shinta Hitokiri Die Blutgrafin Shinta Hitokiri Die Blutgrafin I agree. The Katana, especially. I am quite fond of Naginata and Yari, as well, though. I quite like the range. We do a bit of Bojutsu, as well (art of stick fighting). That sounds quite interesting. I didn't really think it would be a class that revolves solely around the sword. It is an incredibly effective weapon, but not a complete system in itself. I do think other styles should adopt the sword, though. It greatly improves posture, positioning, and footwork. I've studied (but never practiced) a few Filipino arts, but they seem very effective, from what I've seen. That's quite bizarre, actually. Although, it's very cool. My class isn't free, but it's not too pricey. I think it's a good idea to charge for the type of class it is, though. I think it keeps a few of the, "I'm gonna be a Ninja!" type people out. There are a few of those. Most dojos in the area do a little swordplay, but they won't be a challenge before long. As far as the class being free, just the investment of a good bokken tend to keep the people who aren't dedicated out. Now that I think about it, I still need to see about being a squire to the Maestro. As far as effective weapons go, a stick is the second most effective, second being to the sword. you probaly wouldn't like the the size my bokken is (and this fits me perfectly as a katana). It's 54" long. On anyone other than me, it'd be like a hand and a half sword. Besides, it's not like the class meets in a dojo or anything, which is why it's free. In fact, we meet in a public park, but it works quite well. A blade on the end of a stick always makes it more effective. A concealed chain works quite nicely, too. That's probably true, but it differs, in some cases. I suppose the arts themselves teach more than expenses, but it does depend. The beauty of the Katana is that the blade isn't any set length. I'd like to practice with many lengths of blades. Although, "traditionally," the Shinobi would carry a shorter blade, for a variety of reasons. Yes, I know. The tsuba is shaped differently to allow them to use it as a foot hold, if necessary, and they very often would carry bokken instead of a blade, because they were lighter, and they had no risk of cutting themselves. As far as chain combat goes, I wouldn't really know, but using aten foot bullwhip is really fun. Oh,and yes, the katana is a very versitally forged blade. I mean, practitioners of Kage-Ryu use swords about as tall as they are. And the list goes on. Good to hear you know, though. Many don't. The chain is an incredibly effective weapon. It's so hard to get used to, though. It, obviously, relies on similar movement to use, but the concept is very different. If you were to try it out, you'd get what I mean. There are the obvious chained weapons, as well, like manriki gusari, kusari gama, kyoketsu shoge, etc. Again, those weren't solely used by the shinobi, obviously. There are very few weapons that were. Primarily, they sought to become experts with every weapon they encountered. Most others were variations. Shinobi Gatana were, obviously, not nearly as high quality as the traditional Katana, for obvious reasons. They had their own little tricks, as you know, though. Then there was the Kama Yari, which was a very interesting, hooked spear. It's interesting, really, how they developed these weapons to be more suited for their field of operation. Most true weapons of the Shinobi were designed as tools, but, like everything else, could be used in many, many ways. I wasn't actually aware of that, but I have seen some enormous swords. I shall look into this school. Very interesting. I think one of my favorites, just for the fact that it's an interesting was a flute that they would use. The way the sheet music folded, it would turn the flute into a blow dart gun. I mean, I could picture a shinobi playing some cheerful tune on a rooftop, see his target pass below, quickly shoot a dart into them, and resume playing.
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Posted: Wed Jul 04, 2007 12:50 am
Wyedg Falabella I have yet to really see more than a handful of material on anything remotely near dim mak. Alot of it is on qi striking of the acupoints, but these aren't the actual dim mak points, the dim mam points consist of 100 additional points that have been written down in a manner to disguise their true locations and purposes. Alot of people say dim mak, and it's the acupoints. Also, I have yet to meet someone who actually teaches how to project your qi in a manner to strike the points effectively. Likewise, I highly doubt this state is attainable outside of years at the monestary. The monks do not train so dilligently at this art because it is easy to learn. True. Dim mak isn't even something that very many people would care to learn, let alone be able, so the likelihood of there being so many teachers of it is not good. The thing is that it takes such a skill level to make the real thing work that by the time you get good enough to use it you no longer need it. It just isn't practical unless you are planning on single handedly defeating an army. Although I don't believe Miyamoto Musashi knew dim mak, and he was said to have slaughtered an army with only a bamboo kendo sword. The story of Musashi is exaggerated as he mainly fought duels with either a bokken or a kendo sword. There was that one time he fought and killed a samurai with a boat oar (which I mentioned earlier). Either way, he is the aspect of a warrior a swordsman needs to inspire to be. I recommend those who haven't to read his book. Might learn a trick or two as well as something about yourself.
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Posted: Wed Jul 04, 2007 12:58 am
Maku the Dark Wyedg Falabella I have yet to really see more than a handful of material on anything remotely near dim mak. Alot of it is on qi striking of the acupoints, but these aren't the actual dim mak points, the dim mam points consist of 100 additional points that have been written down in a manner to disguise their true locations and purposes. Alot of people say dim mak, and it's the acupoints. Also, I have yet to meet someone who actually teaches how to project your qi in a manner to strike the points effectively. Likewise, I highly doubt this state is attainable outside of years at the monestary. The monks do not train so dilligently at this art because it is easy to learn. True. Dim mak isn't even something that very many people would care to learn, let alone be able, so the likelihood of there being so many teachers of it is not good. The thing is that it takes such a skill level to make the real thing work that by the time you get good enough to use it you no longer need it. It just isn't practical unless you are planning on single handedly defeating an army. Although I don't believe Miyamoto Musashi knew dim mak, and he was said to have slaughtered an army with only a bamboo kendo sword. The story of Musashi is exaggerated as he mainly fought duels with either a bokken or a kendo sword. There was that one time he fought and killed a samurai with a boat oar (which I mentioned earlier). Either way, he is the aspect of a warrior a swordsman needs to inspire to be. I recommend those who haven't to read his book. Might learn a trick or two as well as something about yourself. I can get a copy of the Book of the Five Rings whenever I'm at the college I go to, since there's basically a samurai supply store a few blocks from it where I bought my ipe wood bokken, yukata, hakama, and han juban. At any rate, they also have some really nice blades that they make. Thier webpage is www.bugei.com, and the owner of the company is acutally a master swordsman.
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Posted: Wed Jul 04, 2007 1:13 am
Shinta Hitokiri Die Blutgrafin Shinta Hitokiri Die Blutgrafin Shinta Hitokiri Die Blutgrafin I agree. The Katana, especially. I am quite fond of Naginata and Yari, as well, though. I quite like the range. We do a bit of Bojutsu, as well (art of stick fighting). That sounds quite interesting. I didn't really think it would be a class that revolves solely around the sword. It is an incredibly effective weapon, but not a complete system in itself. I do think other styles should adopt the sword, though. It greatly improves posture, positioning, and footwork. I've studied (but never practiced) a few Filipino arts, but they seem very effective, from what I've seen. That's quite bizarre, actually. Although, it's very cool. My class isn't free, but it's not too pricey. I think it's a good idea to charge for the type of class it is, though. I think it keeps a few of the, "I'm gonna be a Ninja!" type people out. There are a few of those. Most dojos in the area do a little swordplay, but they won't be a challenge before long. As far as the class being free, just the investment of a good bokken tend to keep the people who aren't dedicated out. Now that I think about it, I still need to see about being a squire to the Maestro. As far as effective weapons go, a stick is the second most effective, second being to the sword. you probaly wouldn't like the the size my bokken is (and this fits me perfectly as a katana). It's 54" long. On anyone other than me, it'd be like a hand and a half sword. Besides, it's not like the class meets in a dojo or anything, which is why it's free. In fact, we meet in a public park, but it works quite well. A blade on the end of a stick always makes it more effective. A concealed chain works quite nicely, too. That's probably true, but it differs, in some cases. I suppose the arts themselves teach more than expenses, but it does depend. The beauty of the Katana is that the blade isn't any set length. I'd like to practice with many lengths of blades. Although, "traditionally," the Shinobi would carry a shorter blade, for a variety of reasons. Yes, I know. The tsuba is shaped differently to allow them to use it as a foot hold, if necessary, and they very often would carry bokken instead of a blade, because they were lighter, and they had no risk of cutting themselves. As far as chain combat goes, I wouldn't really know, but using aten foot bullwhip is really fun. Oh,and yes, the katana is a very versitally forged blade. I mean, practitioners of Kage-Ryu use swords about as tall as they are. And the list goes on. Good to hear you know, though. Many don't. The chain is an incredibly effective weapon. It's so hard to get used to, though. It, obviously, relies on similar movement to use, but the concept is very different. If you were to try it out, you'd get what I mean. There are the obvious chained weapons, as well, like manriki gusari, kusari gama, kyoketsu shoge, etc. Again, those weren't solely used by the shinobi, obviously. There are very few weapons that were. Primarily, they sought to become experts with every weapon they encountered. Most others were variations. Shinobi Gatana were, obviously, not nearly as high quality as the traditional Katana, for obvious reasons. They had their own little tricks, as you know, though. Then there was the Kama Yari, which was a very interesting, hooked spear. It's interesting, really, how they developed these weapons to be more suited for their field of operation. Most true weapons of the Shinobi were designed as tools, but, like everything else, could be used in many, many ways. I wasn't actually aware of that, but I have seen some enormous swords. I shall look into this school. Very interesting. I think one of my favorites, just for the fact that it's an interesting was a flute that they would use. The way the sheet music folded, it would turn the flute into a blow dart gun. I mean, I could picture a shinobi playing some cheerful tune on a rooftop, see his target pass below, quickly shoot a dart into them, and resume playing. Oh, yes. I quite like that one, as well. I love the simplicity of it, and it's amazing how something that looks to innocent is so deadly. The hairpins of Kunoichi made for a good place to put a weapon, too. One's indulgences become their weakest points.
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Posted: Wed Jul 04, 2007 1:41 am
Die Blutgrafin Shinta Hitokiri Die Blutgrafin Shinta Hitokiri Die Blutgrafin A blade on the end of a stick always makes it more effective. A concealed chain works quite nicely, too. That's probably true, but it differs, in some cases. I suppose the arts themselves teach more than expenses, but it does depend. The beauty of the Katana is that the blade isn't any set length. I'd like to practice with many lengths of blades. Although, "traditionally," the Shinobi would carry a shorter blade, for a variety of reasons. Yes, I know. The tsuba is shaped differently to allow them to use it as a foot hold, if necessary, and they very often would carry bokken instead of a blade, because they were lighter, and they had no risk of cutting themselves. As far as chain combat goes, I wouldn't really know, but using aten foot bullwhip is really fun. Oh,and yes, the katana is a very versitally forged blade. I mean, practitioners of Kage-Ryu use swords about as tall as they are. And the list goes on. Good to hear you know, though. Many don't. The chain is an incredibly effective weapon. It's so hard to get used to, though. It, obviously, relies on similar movement to use, but the concept is very different. If you were to try it out, you'd get what I mean. There are the obvious chained weapons, as well, like manriki gusari, kusari gama, kyoketsu shoge, etc. Again, those weren't solely used by the shinobi, obviously. There are very few weapons that were. Primarily, they sought to become experts with every weapon they encountered. Most others were variations. Shinobi Gatana were, obviously, not nearly as high quality as the traditional Katana, for obvious reasons. They had their own little tricks, as you know, though. Then there was the Kama Yari, which was a very interesting, hooked spear. It's interesting, really, how they developed these weapons to be more suited for their field of operation. Most true weapons of the Shinobi were designed as tools, but, like everything else, could be used in many, many ways. I wasn't actually aware of that, but I have seen some enormous swords. I shall look into this school. Very interesting. I think one of my favorites, just for the fact that it's an interesting was a flute that they would use. The way the sheet music folded, it would turn the flute into a blow dart gun. I mean, I could picture a shinobi playing some cheerful tune on a rooftop, see his target pass below, quickly shoot a dart into them, and resume playing. Oh, yes. I quite like that one, as well. I love the simplicity of it, and it's amazing how something that looks to innocent is so deadly. The hairpins of Kunoichi made for a good place to put a weapon, too. One's indulgences become their weakest points. Yes, very true. I think there were also those shinobi that would have a small bladed chain on the pommel of their sword, if I'm not mistaken. At any rate, thier knives seemed to have one of the larger amounts of uses, if I remember correctly.
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