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Snow Snowfriend

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THE GAIAN PRESS - Issue 19.0 - August '06
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We find the best so you don't have to.

IN THIS ISSUE:
1. The Neighborhood Watch - Gaian news for our attention deficit generation.
2. Honorable Mentions - Writing submitted by the best.
3. Point! What's Your Point? - Anti-social, anti-state, anti-you.
4. Best of Issue - As voted by the members of the Press.
5. La Revue - Advice on things to do or not to do.
6. Writer's Aide - A few tips to help writers of all levels.
7. Critic's Corner - Setting a strange but admirable example, the renowned poetry critic critiques herself.
8. The Afterthought - Preview for the next issue and then some.

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PART I. Next Door Neighbors

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Working to improve Gaia's writing environment, The Gaian Press and Deus ex Machina are teaming up. Deus ex Machina is a private (yet active) guild of about 170 members with a hardworking moderation team that dedicates its time to attracting and entertaining their fellow guild members. Currently, a Masquerade is in the works for August 8th, and the public is invited to come and see. Their forums include casual and in-depth discussions, writing resources, roleplaying, and poetry. Just click the banner to visit them!

Gaia's Beta Guild Like peanut butter and jelly, Marge and Homer, The Gaian Press and Gaia's Beta Guild have come together at last. See their guild here! It's a small, public little corner of Gaia with about 70 members and a simple, straightforward layout. Beta Lists are posted for those who want a beta or wish to be a beta, and discussions on editing tactics can be found in the Library subforum. So look no further, fellow writers; A good editor is just a click away!

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PART II. Latest Gossip

Serieve

___~New skin tones! Try on a new skin for once. All you have to do is commit avatar-suicide.
___~New items! Seen any squids lately?
___~Gaia Newsletter- giving you all the latest in Gaia news.
___~Do you obsessively keep up with your gold count? Things just got easier. See the details on the latest announcement.


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PART III. Bulletin Board

___The House Vitali, by Veive. Nail Viscera is heir to an infamous family of traitors. Captured by the Empire his ancestors left two centuries ago, he is brought to the capital city, a place rife with political corruption, depravity, and vice covered in a veneer of sexual repression. As a series of murders hold the bureaucrats hostage and a plot to destroy the city takes form, Nail finds himself fighting to save it for the same reason he fights his instilled self-hatred: if he won't, who will?

Readers! If you have a writing-related site/guild/thread that you would like to advertise (or affiliate!) please PM Serieve or post in one of our public threads. Be warned though, we investigate first to see if it's suitable to be advertised and offer rejections if we find that they are not. No fee will be included, but donations are very much appreciated. In fact, all donators will be listed and thanked publicly in the Afterword.

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PART I. Poetry
Listed in alphabetical order by title.

Honor Among Theives, by PiousCorn
Night, by Lebki
Rose, by Aderyn
Watching, by Nikki S.

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Honor Among Theives
PiousCorn

I am the one, the prodigal son,
Slaking my thirst with murderous fun.
They'll worship me and what I have done.

I'll lick the liquid silver nitrate,
Seeping from your metal birth.
Smoking ashes, burn the village.
I'll offer you a safer berth.

We came first, we'll be last.
Unholy matrimony of power.
A matriarch? A patriarch.
We'll usher in the final hour.

By fault of your love,
You're thrice made a toy.
A mutant's loss and two more deaths,
To satisfy your little boy.


I was raised, hearing of His might.
A Spartan's values, I joined His fight.
Until His unforgiven betrayal on a flickering night.

I knoy you, but not myself.
Manufactured memories flow through my mind.
I was a child, but was I really?
I follow a truth I'll never find.

Idolatry broken, I take up my blade.
A mortal wound, I should have died.
Is this the truth, or is it His?
Green glow distract me from shining eyes.

Protagonist, antagonist, I help my foe.
Folly to destroy one's own life.
I turn again, He lies now at my feet.
We enter victory, a world of strife.

I'm assured of His mortality,
I've built a past up for myself.
But mother, just who are you?


Night
Lebki

i.

Never trust a new moon. It sparkled,
Yes, but with sadistic rage.
A pale face for its paler deeds.
The fingers of that venomous moon,
Wispy grey bits of fog, and smoke,
Strangled the life out of a mortal.
(New moon means the full is near;
It means new evil is lurking.)
We were all struck down, astonished.
Us, mere handmaidens of the earth.
One of us has vanished.

ii.

I have passed these silent corridors,
But never seen that look in a man's eyes
That speaks of death, and sleep.
Not before, until now, when I found him.
Pale? His face was the color of the moon,
His mouth contorted with a wish:
For a breath, a breath, one more.
His last breath was engaged elsewhere,
Leaving his feet, swinging gently,
For us to grieve. That demon moon
That left a noose for him to die.

iii.

It has been a year, and the white orb
Shines on his tomb with cold empathy.
I wonder, does he feel any light now?
Maybe just the shifting of the earth,
Chimes, an endless cycle of mourning,
And quiet death, and a quiet passing.
He who has weighed life and pain; and
Wept, thinking that life is worth less.
A eulogy for a friend and fellow soul:
Find rest at your eternal home.
Forget your human troubles--I cannot.


Rose
Aderyn

Instead of a ring, he proposed
by offering me a single copper rose.
The rose was our love, he said,
lasting for generations to come.
I believed him, and leaned my love
in a crystal vase without water.

At first the rose outshone its
sparking iridescent vase,
four finely wrought petals and a leaf
with rippled ridges, all polished
higher than gold and standing
atop a drawn rod.

One day the rose looked
less like gold and more like copper,
severe stem silhouetted
against many-faceted glitter.
Playfully twirling on pointed toes,
feathery motes settled to rest.

Years passed and the copper
rusted into corrosive needles,
while its clear container
glowed like an ethereal x-ray machine,
a prism reforging shattered, discarded
shards of sunlight and moonbeam.

Instead of a rose, I proposed
by offering him a crystal vase
filled to the brim with icy spring
water, straight from the bottle.
I paid extra for overnight delivery,
prefaced with a bulky yellow envelope.


Watching
Nikki S.

Pounding rain ascends
And we are un-prepared
Without any protection, we continue on
Glacier cold, and wet, I walk
You hold my hand - squeezing tighter with every Drip, drop
Large work boots show that puddle who is boss
I cringe when it begins to beat harder
And faster,
But you squeeze my frozen hand once more
And warmth takes me, all over
As we watch the streets gather with
God's tears.


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PART II. Prose
Listed in alphbetical order by title.

All Kings Wear Crowns - Chapter I, by omgtehsuiso
The Badger Brigade, by Hemp Fandango
Jackolantern, Soundly Sleeping, by Scarlet Jile

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All Kings Wear Crowns - Chapter I
By omgtehsuiso

The Lord Speaker's discussions had always been a great bit more interesting than the ones he had read of during the preparatory stages of his position. Perhaps it had been because the old world had not permitted free thought, but following the Age of Logic, something greater had come out of it. Then again, there were always mad courtiers with proposals just as absurd. This one, he had decided, was far more promising than most of the others, albeit less engaging.

The two men had been talking in the teahouse for hours. It was not like the Lord Speaker to do so, but this proposal was special, and he did not have the patience to wait for it. He took another sip from his teacup.

"And you believe there are indeed lands beyond the reaches of our sea?" the Speaker asked. The man nodded, keeping his eyes on his cup.

"You see, my lord, we have only traded with the small isles that lie just off Oserra's coast, but modern thought provides new theory -the sort that pushes such an exploration forward." The Speaker was nodding this time.

"But there is no physical evidence of such a body of land existing?"

"No, my lord."

"A lack of evidence makes this information appear quite incredible, Mister Talle. Conjecture does not merit truth."

"Ah, but you cannot lose in this expedition, my lord. Imagine how the king would react if a city of gold were found!"

The Lord Speaker shook his head. "No, Mister Talle, no. Imagine how His Majesty would react if we found nothing, and all the money he put into your company went to waste. Have you even considered the costs that would go into financing such an expedition?

"You would need soldiers, for one, as only the gods know what sort of savages lurk in isolated lands; and ships. Not to mention willing men, who would inevitably need pay. And provisions; seed and livestock, assuming you were to indeed hit land."

Talle frowned, and finished his tea. In his hands were a bundle of papers, which he passed across the table to the Speaker. "Please, if you would, my lord, review my notes. If arable land existed for we Oserrans, then surely it must exist for other men." The Speaker took the stack and tucked it under his arm, leaving a few coins on the table to pay their tab.

He tipped his hat to Talle, and bid him a good evening before leaving the teahouse.

Despite the rain, he began to leaf through the papers. Water smudged ink, leaving faint black trails as each droplet rolled down the page. The Speaker looked back to see Talle, who was unfortunately named, visible only by his top hat, which stood out in all its sky blue glory, in the middle of a crowd of far taller men than he. Something of the first Man walking among Giants, the Speaker thought.

The king, he decided, would have to accept Talle's proposal, despite the fact that the venture was less promising than his other expeditions. Talle was famous for what he had done across the Euran Sea, but that had turned out to be nothing more than a large river -and expansion was slowing there. In spite of the promise of new eastern colonies, Talle could most certainly force the king to take a strong financial blow if he failed. But if was such a large factor in the wager that the Speaker was not willing to even consider the consequences. He hadn't the slightest clue how much King Arkain would pour into the charter, but he had an idea that the figures would not be beautiful, according to Talle's initial calculations. The mathematics to calculate astronomical costs -20,000 krents for the first year alone- and he hadn't the slightest clue as to the price for later colonization, and what he would do if something went wrong, gods forbid.

He stuffed the papers inside his waistcoat and continued through the streets. The rain made everything more dismal than usual, the Speaker noticed, and even the House of the Voices was something of a grim castle instead of its usual watchful self. The smell of soot and ash from the factories beyond was thick in his nostrils, reminding him that he had never come this far from the House before. The streets, too, had a coating of the stuff of industry, among other waste products. He kept his eyes on the pavement to avoid ruining his boots, although he periodically kept note of the world over his head to avoid ruining everything else. The chamber pots of the city were a frightening thing, to say the least, and he felt that they should have been banned outright, but there was no easy way for citizens -especially the poor- to receive adequate lavatories. There had been talk in the House, in jest, of using the obvious gallons of excrement on the streets for warfare. The king could have used the idea, with the way the expeditions had gone. Barbarians were, of course, too common, and, as history had shown, were quite capable of overtaking an empire.

He pushed the thoughts of times past out of his head as he left the streets and returned to the House.

There was a certain sense of tension when he entered the building. He knew in an instant that someone had gotten wind of his meeting with Talle, and whoever it was would be beaten, if the Speaker was given the chance. He would not be, of course, if society had its way. Although strong discipline would give men backbone, the king and his court were more concerned with "protecting the working man from abuse," something the Speaker vehemently denied, and despite his position in the House, was ignored. He frowned as he passed through the silent crowd of representatives and made his way to the center of their cramped meeting hall, dropping the papers down on the table at the center of the narrow corridor.

On either side of him, the representatives sat, all cold and wooden, like the very halls they made their decisions in. Most of the like-minded political fellows sat together, something the Speaker had, yet again, detested. Clear battle lines made it more difficult for ideas to spread, if the north voted against the south every time they past a bill, and the west allied with the north, but the east with the south. It was absolute lunacy, but the way political thinkers in Kotinach kept spewing out their talk of "democracy" and "freedom." No less King Edric's fault, of course, placing his damnable free-minded son on the throne. Patriarch of the New People, he called himself. Most Oserrans agreed he was a madman, but the Kotinachians would always call him revolutionary. To the Speaker, he was another pompous windbag in power. Come the next king, he knew, the Arkain line would be washed clean from the thrones of both Oserra and Kotinach, and, if the gods were merciful, all the talk of revolution would go with it.

He raised the gavel in his hand, and began the meeting as usual. "Our first order of business today," he bellowed, "is a proposal by Mr. Jonathan Talle. I assume that most of you are aware of his efforts in eastern colonization and expansion."

Then came the usual "here-here!" from the right, the "fie!" from the left. It had always been a battle of voices in the House, perhaps why it had gotten its name. He remembered from the history books that it had not even been called the House of Voices at its establishment. Arguing began, perhaps over the moral integrity of Talle s movements, and the Speaker slammed his gavel down again.

"You will all keep the vestiges of civilized men or I will postpone this session and give a thorough review of your conduct." There was a bit of grumbling from both sides, and for once, the Speaker was smiling, in his mind, at the fact that they could agree on something for once, even if it was hating their leader. "Now," he continued, "Mr. Talle has reason to believe that there are lands beyond our oceans, and seeks our approval for adequate funds to send an expedition."

Yet again, arguing. The Speaker let it continue, though, hoping that the volley of political philosophy might shrink the gap between the various regions of Oserra. Then again, it could just as easily have begun to widen it, but he cared little. It was possible that someone would find sense in his opponents argument. The cacophony began to cease, and the tension died as if someone had just pinched a burst vein. The Speaker knew, of course, that the person pinching was not going to be holding their fingers there for long.

He began anew. "The capital that will need to be allotted for Mr. Talle and his company totals 20,000 krents."

Gods damn these men, the Speaker thought as argument erupted again. He banged the gavel. "ORDER! You may list your grievances following my statements, and with civil tongues. Mr. Talle believes that if the expedition is successful, we will be able to not only spread our power, but also strengthen the domestic industry. As you know, the last hundred years have drained our country of resources, and if the search does indeed turn up results, we can, quite possibly, revitalize our manufacturing. However, the movement may not please the peasantry, which should always be considered. Such fees require taxes, and the higher the taxes, the more voices raised in defiance."

Now, he felt, was the time for the House to speak. "You may begin, Mr. Rores." The portly man to his right smiled and bowed, starting the deliberations.

Rores looked into the center of the left side of the room and began, despite the sound of some ungrateful politician's fingers rapping against the wood of his desk. Rores was respected among the northern Voices, although many would agree that he was a pompous windbag, a trait which his current speech was displaying. He was, in a word, conservative, and painfully so. "I do believe," Rores said, "that this expedition, if it even uncovers anything, will lead to some sort of oppression."

The Speaker frowned. The argument was ages old, although he did not disagree that the idea of the expedition was foolish. "We must remember, my fellow Voices, that our people do not take well to the concept of increased taxes, and such a movement would indeed raise the cost of living." A man stood up in the left side of the room, one the Speaker did not at first recognize.

"Mr. Rores has the floor, Mr. Edwards. It can wait," the Speaker said, and then motioned for the man to sit. Edwards did not. "Please sit, Mr. Edwards."

"I have an objection to Mr. Rores's argument, Lord Speaker," Edwards replied. Mr. Rores was looking quite miffed from where he stood, and his two fat cheeks were beginning to turn red. The Speaker feared that if the situation escalated any further, the poor man might undergo heart failure.

"And this makes your opinion so important that it needs to be heard over Mr. Rores's? Please sit down."

"No."

Mr. Rores raised a fist at Edwards, and began barking various threats. Several of the men on the right began banging their fists on their desks, shouting "Fie!" again. The Speaker banged his gavel, and everyone in the room silenced, except, of course, for rebellious Mr. Edwards. In the chaos, Mr. Rores had thrown a unused coal at the head of Mr. Edwards, and there was a good bit of blood seeping from his forehead. "ORDER!" the Speaker cried. "I will have order in this House! We are men, not savages!"

Rores smiled, finding a segue, and the red left his face. "Savages indeed, Lord Speaker. We have all seen the effects of the growth of our empire abroad, have we not? There were indigenous peoples in the east, once, but if they still live, they are rarer than gold, my good men. Rarer than gold." Rores sat down, and immediately, Edwards stood up, without the permission of the Speaker, and delivered a counter-argument. Rores had to be held back this time, and it took six healthy men to keep the older fat one in his chair.

The Speaker would have chuckled at the debacle if he were anything but a politician. It was like some disease had come over the House, and had brought madness with it. The Speaker banged his gavel again, but Edwards continued to blather.

He raised his free hand to call the guards, and Edwards gave a shout. "Mr. Speaker, I bid you, please."

"Oh, formalities, Mr. Edwards, formalities," the Speaker scolded. "Remove him from my House," he ordered the two sets of guards at the back of the room, but Edwards, knowing his defeat to be nigh, began to speak in a louder voice amidst the growing clamor. The Speaker managed to make out some of his words. "Imagine, my lords, the money! The riches! The trade!" he said, his words as tempting as that of the most adept of seductresses, while the guards carried him toward the doors. He did not struggle, although what he said held the House in silence. "Success will only bring profit, my lords!" he called as the doors shut behind his dragging feet. A large portion of the left clapped, and even some of the middle and right. Deserters in the field of battle, the Speaker thought as he watched them. With Edwards absent from the proceedings, the Speaker called up the next most senior of the men from the left, and felt the political scales shift.

"Continuing from where Mr. Edwards left off," the leftist began, "if discovery is indeed made, which we can be almost sure it will be, from Talle's proposal, the profits would be immense. Taking into consideration the risks at hand, I believe that, despite the sum, success is not only inevitable, it is profitable." The left clapped, per the usual tradition. Automatons, the lot of them.

The discussion continued for several hours, although the sentiments of both sides began to form one strong opinion for imperialism. The Speaker, torn, quickly moved to the next item on the docket once the debate died down.

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The Badger Brigade
By Hemp Fandango

Chapter Twelve (a): Pastorama
Yes, we’re still in the past.

Sara bounded around the corner, robes snapping and feet flying as she desperately tried to outrun the sparkling things that were nipping at her heels. The sparkles -- Sara felt silly for calling them that, but she could think of no better word for the twinkling motes -- washed over Hogwarts like a tidal wave over a small fishing village and left behind a shining residue. The halls behind them were changing rapidly; the floors became white marble, the ceiling raised up and loomed far above and monolithic white columns lined the walls, serving no real purpose. Old tapestries and paintings were cleaned up and restored or, in some cases, replaced completely.

She focused her attention ahead, trying to put her mind off the stabbing pains in her legs and the difficulty she was having breathing. She could just hear the sound of the other's heavy footfalls over the sound of her own harsh breathing. Finally, just as she felt she was reaching her limit, she rounded the corner and faced a hall filled with dusty suits of armour. The Hufflepuff entrance! She threw everything she had into a final lunge forward and landed just at the base of one of the suits. She hugged the floor as she coughed violently.

Elizabeth grabbed a nearby suit for support as she wheezed and the two Slytherins tried to catch their breath as quickly and with as much dignity as they could manage. Elizabeth watched the wave of sparkles wash over the hall, cresting against each suit, until it was just a few meters away. She held her breath as it surged forward, edging towards the suit protectively. The sparkles washed over them-- and around them. Elizabeth exhaled. The sparkles flowed ahead, rounded the corner and were gone.

Around the base of one of the suits, the floor remained stone instead of sleek marble, the wall still made of thick, large and ancient looking stone blocks. The small oasis of normal Hogwarts surrounded them like a small dome. Elizabeth noted that there was a thin line of light where the normal stone floor met the new marble floor. She knelt down to examine it closely and could hear a faint sizzling. Then, with the air of a scientist about to add chemical A to solution B, she held her hand out in front of her and after some hesitation, waved it in the air above the marble and stone floors. She felt an odd tingling as it passed through the invisible barrier of white light. She drew back quickly, cradling her hand as if stung.

"What are you doing?" Pansy asked, eyeing her as if she had just licked her experiment.

"I wanted to see about this white light," she answered, not noticing Pansy's rude tone. "It tingles a bit."

Pansy rolled her eyes and exchanged a glance with Edwina.

"Is this the Hufflepuff common room entrance?" Edwina asked.

"'Course it is," Sara said, her voice hoarse from coughing.

"The sparkles won't go near it," Elizabeth stated. Sara nodded and straightened herself up.

"Yes, I expected this," she lied. "Hufflepuff has such a strong... grounding in the..." she hesitated, "in what's left of normal Hogwarts that we get... we're getting away from the... change," she said finally. "Yes."

"I guess it does make sense," Elizabeth said, toeing the line of light. "After all, Hufflepuff has been largely ignored and untouched by the TGs so far, so of course our common room would be spared."

"Right, right," Sara said, irritated. "Anyone could have figured that out."

"Although I was a little worried that it would disappear entirely," Elizabeth went on meekly.

"What about Slytherin?" Pansy demanded, pushing Elizabeth aside. "What do you think is happening to our common room?"

Sara glared at the older girl. She resisted the urge to spit "Who cares?" and instead said, "It was probably one of the first to be changed."

Pansy and Edwina turned pale, exchanging panicked looks. They seemed to reach a decision. Pansy squared her shoulders.

"We have to go and see for ourselves," she said firmly. "It might be dangerous, but it's our house and it's important."

"Okay, good luck," Sara said absently. She knelt down next to the ring of light and prodded it with her wand.

Pansy shot her an annoyed look. She felt her declaration to brave the tacky halls of Hogwarts to check on her house's well-being warranted a little more than that, but she knew better than to try and push a better response. Edwina nodded swiftly at Pansy, took a deep breath and lifted her leg until her knee was level with her waist, as if she were about to start marching. She slowly and carefully lowered her foot over the line of light until the tips of her toes were touching the pristine marble floor. She stood stock still for a moment, her eyes closed, waiting tensely for something to happen. A few seconds ticked away. She relaxed and stepped over the line with little fuss. She nodded to Pansy once more and walked off down the hall. The other girl rolled her eyes skywards before following her friend.

Elizabeth, who had been watching the entire pantomime, shook her head. "Purebloods are crazy. It must be the inbreeding," she said.

Sara, who had been engrossed with the bizarre barrier around their common room entrance, looked up and glared at Elizabeth.

"I mean," Elizabeth corrected quickly, as she felt the temperature drop several degrees, "most purebloods are crazy. Some purebloods are okay. Some are not... that inbred, all things considered." She coughed. Sara's glare didn't waver. "So, how about this line, eh? Weird, am I right?" she asked brightly.

Sara sighed and stood up. "The sparkles couldn't touch us either, remember?" she asked. "The TGs ignore us, the rest of the school has forgotten we exist, our head of house has gone missing, and now these sparkles can't come near us." She sighed again and ran her hand through her hair in frustration. "I know these things are connected but I don't know what it means." Elizabeth stared at her wide eyed. "What?" Sara asked, catching her friend's stricken look.

"Professor Sprout is... missing?" she asked, horrified. Sara stared at her blankly.

"Yes, she's been missing for some time now. Didn't you notice?"

"I... well, Alex and I haven't really been attending classes lately," she said sheepishly. "Who's teaching Herbology now?"

"Professor Madison 'call-me-Maddie' Lupin," Sara said bitterly. "Except around the full moon, when she 'mysteriously' goes missing." She snorted and turned to the suit of armour.

"Are you ladies finally ready to come in?" a hollow voice asked from somewhere inside the helmet.

"Yes, yes. 'Secrect Sensor'," Sara said irritably. The armour stepped smartly to the side while the brickwork behind it opened up into a small arch way.

"Watch your step," it said as the girls clambered inside.

"Thank you," Elizabeth called before the bricks reassembled themselves into proper order. She turned her attention back to Sara, who was cleaning her glasses with slightly more force than was necessary. "Why do you think Hufflepuff is immune to all this?" Elizabeth asked.

"I already said I didn't know," Sara snapped. She fogged her glasses and wiped at them vigorously with her robes. "And it's not just Hufflepuff either," she muttered. Elizabeth knew how to recognize the signs just as well as Alex could, and she knew that Sara was close to losing her temper. The lens she was cleaning finally gave up under all the force she applied to it, and suddenly popped out of its frame. She let out a strangled cry of frustration and flung herself into an overstuffed arm chair.

"None of this makes any sense!" she raged. She tossed her glasses across the coffee table by her feet and brought her hands to her temples, holding her head and breathing deep.

"You were using too much strength on your lenses," Elizabeth offered meekly.

"Not that," Sara snapped. She softened at her friend's distressed look. "I mean," she went on, "none of what's happening. It's been, what? two months and we're no closer to saving the school than we were when we started." She sighed and closed her eyes.

Elizabeth picked the offending lens from the ground and held it out to her friend, who accepted it with a weak smile.

"Thanks," she said. "If I could just figure out what was causing all this, then we could figure out how to stop it," she muttered to herself.

Elizabeth sat down on one of the arms of the chair and looked thoughtful. "Maybe Hufflepuff put a strong protection charm around her house? Just in case?" she suggested.

Sara shook her head. "I don't think so. I think she would have shared her protection with the rest of Hogwarts, don't you?"

Elizabeth shrugged. "I don't know, I never knew the woman."

"Although..." Sara trailed off, tapping her chin thoughtfully. "You just might be onto something, Liz."

"I might?"

"I wonder if this has happened before," Sara said. "Say, one thousand years ago?" She paused expectantly.

"Er... maybe?" Elizabeth guessed. Sara sighed.

"Hogwarts was founded a thousand years ago, Liz," she explained patiently. "It's possible that Helga Hufflepuff did encounter one of these TGs all those years ago and... and... and then something happened," she finished lamely. She rallied. "Something that probably annoyed the TG into leaving for good."

Elizabeth waited in patient silence. "Maybe?" she guessed.

Sara slumped back, biting her thumb. "It's worth looking in to," she muttered. "But first thing's first: we have to find Alex."

***

Alex winced as she pulled a glob of dark purple taffy from her hair.

"That's the only negative side effect," she muttered. "At least, the only negative side-effect if you're the caster. Obviously, there's more to it if you're on the receiving end."

Amethyst had exploded spectacularly, coating the area in thick taffy. The pleasure of the purification spell finally working was soon dampened by several realizations. One was that Alex would never, ever want to eat taffy ever again. The second was that there was still at least two more TGs left to purge. The third was that there was another TG, right in front of her.

"This isn't going to come out easily," the scruffy girl said, scowling. Her long, rather limp curls had received a great amount of taffy.

"You might have to get it cut," Alex remarked, while pulling the gummed purple substance from her robes. The other girl gave her a dark look.

"Don't even joke," she growled. Megan did not consider herself to be a vain person (anymore). She never painted her nails or dyed her hair or participated in any of the makeover parties that took place almost nightly in the Uncommon Room, but she found herself unusually protective of her hair. She knew that it was impractical to have such long, curly hair but she didn't care. It was one of the few parts of her appearance that she still liked. It had been a matter of private distress when she discovered her curls were no longer glossy and bouncy, but limp and prone to tangling. She could no longer consider it honey brown, but more of a muddy dark blond, as if her hair couldn't decide if it wanted to be blond or brown and simply waffled between the two.

This is all your fault, huffed a soft, tinny voice inside her mind. If we had stuck with my plan, our hair would still have its former glory.

Shut up, she thought. She took a deep breath and forced herself to focus on less shallow matters.

"We need to get out of here," she said. "Amethyst's death won't stay unknown for long, and her friends will be here soon."

"That's sort of the idea," Alex said. She peeked around the corner where she had previously been hiding and frowned, finding it empty. "I wonder where that little wanker got to..." she mused to herself.

"You don't want to wait here for them," Megan said. Alex looked back at her and quirked a brow.

"I don't? ‘scuze me, but I think I do. I mean, that's the whole reason I came to this lousy time period." She stopped and hissed under her breath. "I probably shouldn't've said that."

Megan shrugged. "It's alright, I know you come from 30 years in the future."

Alex gave her a look of surprise, which quickly became a look of deep suspicion. The air between them became thick with tension. Several dozen questions buzzed in Alex's mind, each clamoring for attention, desperate to be spoken. How could she know she came from the future? Why would she help her? What else does she know? Finally, Alex could take no more and blurted the first question that came to mind.

"What the hell," she said. Admittedly, it wasn't technically a question, but she felt it voiced her thoughts succinctly and accurately. "Seriously," she added for clarification.

Megan sighed and began to fidget. "Look, this isn't easy for me to explain," she said. "Partly because I'm not entirely certain what it is you're asking, but mostly because it's complicated."

"Try me."

Megan glanced behind her shoulder before speaking again.

"Okay," she said, "but we'll have to make it quick. Ask me as many questions as you can and I'll try to answer."

Alex drew another question from the metaphorical hat. "Who are you?"

"Megan Filch," she replied. Alex gave her a look of disbelief. "I'm Filch's long lost squib niece," she explained. "I have a cat, but he’s not here right now. We speak to each other telepathically." Alex gave her a look of disbelief. "That ability’s more common than you’d think."

"What are the TG?"

Megan’s expression became blank.

"'Those Girls'?" Alex tried. "You know, Amethyst's group? Well, her former group-"

"Ah, I see what you mean," Megan said, holding up one hand and then hesitated. "That's... not an easy question to answer. Um." She paused again, and stared into the middle distance, her brow furrowed. "We're-- They're like... like..." she struggled in silence, gesturing vaguely. She sighed and slumped slightly. "Look, I don't think I can explain this quickly," she began irritably. "There's a lot to go through and I'm not sure I can make this simple..."

"Try," Alex invited, leaning casually against the wall. "Because we aren't leaving until you do."

Megan sighed again and shot her an annoyed look. After a moment of stillness, she joined Alex against the wall and crossed her arms.

"Look," she began at last, "I don't know much about your world, so understand-"

Alex quirked a brow. "'My world'?"

Megan winced. "Yes, your world is different from the one-- look, let me try to explain and don't interrupt." She took a deep breath. "There are a lot of worlds, those worlds are kind of like yours but kind of not, your world is unique just like every other world, my world is nothing like yours and yes I come from a different world, well... more like an entirely different dimension." She paused for a breath while Alex stared in disbelief.

"We-- They-- The TGs come from different dimensions, but they don't-- they didn't-- they're not really from there. They’re not really from anywhere. Do you get me?" Alex's expression remained unchanged. Megan thumped her head against the wall and stared up at the ceiling. "I don't know how to make this clear for you," she said.

"Really."

Megan bit her lip, her gaze never leaving the ceiling. "TGs all come from different dimensions but they never really belonged there, okay? They don't fit. Instead of trying to change to fit in, they change the world around them to fit them. You follow me?"

Alex nodded slowly.

"They change... everything. Places, time, people... everything. Even history, if they’re strong enough. You've seen it. What they're doing here is exactly what they did before, in their original dimension. It's what all TGs can do. It's their main power. All that garbage about wandless this, and elemental that, that's just-- that's just the froth. Their real power comes from warping reality to revolve around them. Get it?"

"That I can buy," Alex said. "I'm still not sold on the whole dimension crap."

Megan just shrugged. "I don't know what to tell you."

Both girls lapsed into silence. Megan transfixed on the ceiling, while Alex focused on the floor.

"Why come here?" Alex asked quietly, breaking the fragile silence.

"Exiled. I told you, they were exiled. They've come here to find... their home, I guess." Megan's eyes slipped closed as a strange emotion washed over her, leaving her feeling unsettled and a little sick. "After they've finished with Hogwarts, they're going to move on," she continued, swallowing those emotions. "They'll keep on going until the entire world is theirs, and then... they'll keep going, still. They won't stop."

Alex gave her a look of surprise. "They're ambitious," she remarked.

"They're not, really," Megan said. "A lot of them would be happy with just the school for themselves. It's their leader and her little secret group that's got them organized like this."

"Polaris," Alex said grimly.

"Exactly. She's the leader."

Alex risked a glance at the shorter girl. "And you're the one who sent us those notes. You're the turncoat."

Megan hesitated. "Yes," she admitted. "Although I don't think I'd put it quite like that."

"I would," Alex said. "And you're one of them, huh?"

Megan stiffened. "No."

Alex raised a brow. "Really? Amethyst thought you were," she remarked.

"No."

"Then why did she trust you?" Alex asked, suddenly angry. "Why did you pretend to be her friend before you let me blow her into the next world?"

Megan gave her an annoyed look. "You were pretending to be a fan," she pointed out.

Alex coloured. "That was a tactic."

"Exactly." She held Alex's gaze for a moment and looked away. "I was like them. Was. A long time ago."

It wasn't that long ago.

"I've changed," she said loudly.

"Right," Alex said. "Why?"

Megan fell silent. "That's... personal," she said. Alex didn't look entirely convinced and the other girl sighed. "Someone showed me what the real world was like and it sort of... stuck with me. Happy?"

"With a vague non-explanation like that? Ecstatic."

Megan could feel her patience slip. "Look, TGs don't see the real world as it is. What they see is the world the way they want it to be. To actually see things as they are can be... jarring."

'Jarring'. Ha. What an understatement. It had been the hardest thing in the world, discovering she wasn't the centre of it. She had discovered that everything she had grown up believing -- everything she invested herself in -- was a lie. She wasn't really that special or unique. It had been hard to adjust.

"It goes against everything they believe," Megan muttered.

"How did that someone show you the real world?"

Megan looked away, her face falling into shadow. "He... looked at me."

Alex blinked.

"Sometimes, that’s all it takes, alright?"

"So... you’re saying if I look at a TG it might reform them?" Alex asked, her curiosity piqued.

"I doubt it, he was different. We had a connection."

"Right. Okay," Alex said, rolling her eyes. "Why did you help me?"

Megan looked at the taller girl in surprise. "Because you needed it."

Alex stared and then a sly smile slowly spread across her face. Megan felt as if she had passed some sort of test. The tension lifted, much to her relief.

"Fair enough," Alex conceded. "Although I don't know how much help your distraction was."

"I think I was good help," Megan insisted. "I mean, are we not covered in taffy?"

"You knocked her on the back of her head. A monkey could've done the same thing."

"I never said I was a brilliant tactician. Admittedly, I was improvising. I went with what felt right," Megan conceded, flexing her fingers.

Alex chuckled and fell silent. After a moment, she asked: "What's the best way to defeat a TG?"

Megan whistled under her breath. "I'm not certain, but I think logic," she answered simply. "I've thought about it a lot, and a lot of Them get weakened just by listening to logic. I know I used to. It exposes them to the real world and weakens their hold over reality. Ridicule seems to have an effect, too. It damages their ego, which in turn causes them to doubt themselves and lose their grip over reality."

Alex digested this quietly. Logic? Ridicule? That seemed too easy. But then... it made sense, in a way. That would explain how Anastatia was so easily taken care of with the Purification Spell, after they had berated her for her ridiculous behaviour. And the teacher... Alex hadn't been there, but she had heard reports that Edwina and the others had a lively conversation with her before she exploded.

She found it hard to concentrate on that tidbit of information when she still had so much to think over. Different worlds? 'Reformed' TGs? A sinister plot for world domination? Alex felt something throb behind her eyes. She gave up on trying to make sense of everything she had just heard, and instead took what she could make sense of to heart and decided to leave the rest for Sara to worry about.

Like, if the TGs came from a different world, that meant they were aliens. Alex relaxed slightly. For some reason, the knowledge that they were aliens was comforting. Before they were fighting an unknown force, but Alex knew where she stood. Several rainy afternoons watching bad Sci-Fi movies had given Alex an education on the subject.

"Okay," she said, straightening up. "This has been an interesting chat, but now I think we should go and kick those crazy aliens back to their home world." She paused. "We're going to need some bacteria."

***

Sirius Black slowed his pace as he approached the Gryffindor common room. His expression, which had been fixed into a serious and dramatic grimace, melted into a look of bemusement. He turned to face the slimy, evil, smelly, horrible rat, Peter.

"Why was I running again?" he asked, looking confused and alarmed.

The horrible little man gave him an equally confused look. "You said Amethyst was in trouble, so you were going to get her brother."

Sirius furrowed his brow. "Amethyst...?" The name had a familiar ring, but he couldn't remember why. He felt like he had just woken from a deep sleep. Had he been dreaming? He could remember the sense of urgency and long black hair, but all of the other details had blurred together and became an indistinguishable mess. He stood stock still, his mind racing to recall anything more specific, but the memory was fading fast.

Peter watched his friend with concern. "Maybe we should go find James," he suggested after a while. Sirius nodded absently and took off once more.

***

James Potter, most popular boy in school, captain of the Gryffindor Quidditch team, and Head Boy sat in an overstuffed armchair in the Gryffindor Common Room, staring at the wall. He didn't know why he was staring at the wall, after all, there must be something better to occupy his time, but he couldn't think of anything. Thoughts of Quidditch practice, school work, Head Boy duties occured to him briefly before fleeing from his mind, leaving no trace of ever being there. He was vaguely puzzled by this. It seemed as though anytime he was by himself, he lost all will to think of anything... except think about the love of his life, Lily Evans.

He sighed wistfully. Ah, Lily. He wouldn't have believed it possible, but she was perfect in every way. She was his match in brains and in mischief. He suspected strongly that she was one of the masterminds behind the Maraudettes, an all-female group that rivaled the Marauders in every way. He sometimes suspected they were Animagi, but he hadn't found proof yet.

Lily hadn't always been a beautiful, talented, special girl. Before the summer of her fourth year, she was a plump, glasses-wearing dork who he and the others enjoyed teasing. Then, in their fourth year, she came back from spending a summer in America looking several pounds thinner and much, much prettier. James fell almost instantly and that began their sexually-charged rivalry.

He sighed again as the portrait swung open and his best friend and the other one scrambled through.

He gave Sirius a suspicious look. His best friend had been spending a lot of time with his twin-- with his-- His best friend had spent time with his sis-- Best friend with twin--

"You okay, Prongs?" Sirius asked watching with concern as his friend clutched his head, his face twisted with confusion.

"Argh," said James. He sat still for a few moments as the thoughts and memories of Amethyst leaked from his brain. He straightened up once more, feeling vaguely unsettled. "Sorry about that," he said.

"It's alright, I know the feeling," Sirius said sympathetically.

"So, what are you up to?" James asked, easing back into the chair.

"I... I'm not really certain," Sirius said, sinking into the chair opposite James. "Something was wrong, but now I can't remember what..."

James shifted nervously, mentally prodding the large twin-sister shaped hole in his memory, which was rapidly filling in. "I'm sure it's nothing," he muttered.

The portrait swung open once more, and Orion appeared, striding across the room with a sense of purpose. The three Marauders stared in disbelief at the stunning young woman, not because she was a stunning young woman (that was why everyone else was staring) but because she was a Slytherin in the Gryffindor Common Room.

"Oi, Orion," Sirius called, rising in his seat. "What do you think you're doing-" Orion shot him a swift glance, silencing his protests immediately. Of course she was in the Gryffindor Common Room, why wouldn't she be? There was absolutely nothing wrong with Orion walking through their Common Room. She was special.

Orion's quick pace didn't falter. Her long, shapely legs took the stairs leading up to the Seventh Year Girls' Room two at a time with ease. At the top, she flung open the door and walked straight towards the only other person in the room; a red-head sitting serenely on her bed, her emerald green eyes scanning the thick book she held in her delicate hands. Lily Evans glanced up briefly and frowned.

"Orion!" she exclaimed. "What-"

"She's dead," Orion said shortly. "Amethyst was killed, and I think I know who did it."

There was a pause.

"I see." The other girl sighed and marked her place in the book. "So, why didn't you confront them before coming to see me?"

Orion opened her mouth and closed her mouth several times, gaping like a fish (a very beautiful, exotic fish, but a fish nonetheless) as she struggled to explain. "Well, you see--" she tried at last.

"Yes?" Lily prompted sweetly.

"It's-- I thought you'd want to know first," she said in a rush. Delicate creases formed on Lily's forehead as she frowned.

"I see. That's very thoughtful of you." Orion smiled smugly. "Other people might have suggested it was because you were afraid," she went on, as Orion's expression fell, "but I'm pleased to hear that isn't the case."

"No, it isn't," Orion muttered sullenly.

"Of course not," Lily said lightly. "I believe we should avenge our fallen sister together, don't you?"

"Yes!" Orion said, relief pouring off of her. "We have strength in numbers."

"I think we should all avenge our sister." Orion frowned in confusion. Lily sighed. "Aren't we missing someone? A certain blue-haired fairy?" Realization dawned on Orion's face.

"Lexis!" She threw her head back and groaned. "I forgot about her. Er," she corrected, catching sight of the sinister glint in the other girl's emerald eyes, " I mean, I... I couldn't find her. I think she's chasing after my brother."

"I see." Lily unfolded her long legs and slid gracefully off the bed. "Let us find our missing friend, shall we?" She slung one arm around Orion's shoulder companionably. "And you can tell me all about the murderer."

***

Severus Snape was in a bad mood. This in itself was not unusual, but the cause of it was. The cause was very unusual, and nauseatingly special.

"Severus! Wait up!" the blue-haired ninny called as Snape stalked ahead. "You can't deny our love!"

Snape growled under his breath and continued ignoring the irritant behind him, although it was becoming difficult, and he knew he would have to lose her soon. He had left the Hufflepuff to fetch his robe and regroup in the Slytherin common room, but somehow along the way he had picked up a parasite. He knew he couldn't lead her to his house's secret entrance but he wasn't sure how to get rid of her.

"Severuuuuuus!"

The obvious solution was a well aimed hex, but his attempts at cursing her in the past ended in disaster. He recalled with a grimace the last time he had tried; the spell ended up backfiring against her magical fairy force field or some nonsense, and knocked him senseless instead. When he had come to, she had placed his head in her lap and was cooing over him. He shuddered at the memory.

Nonsense. Everything about her was nonsense. Every spell he flung at her ended up being repelled by her concentrated ridiculousness. At one point she claimed his spell failed because he secretly loved her, which interfered with his casting abilities. He tried to explain to her that she was making little sense, and that he hated her, he truly did, but that only caused her to hug him while sobbing. Since then, he had stopped trying to use magic against her at all.

The contents of his robe clinked softly, reminding him that there were other options. He didn't normally carry around his potions, but lately he felt it was good for self defense. Although part of him hated the idea of wasting them on these creatures, he didn't feel he had much of a choice. He reached into his robes and felt the empty slot, reminding himself of the last attack he tried. It had worked, hadn't it? Admittedly, it was a diversion, not an attack, but still...

His fingers wrapped around a smaller bottle, specifically separated from the rest. The others were useful for diversion and defense but this one was offensive. It was also illegal for an unlicensed minor to carry, much less brew themselves. Snape had originally done it as a teaching exercise for himself, but now he felt it could be used. He pulled out the small flask and stared.

But it would be murder... wouldn't it?

Snape had not thought about murder in some time, not even while he was brewing the poisons. Now he held it, felt the weight of it in his hand and had second thoughts. He looked Lexis. She smiled shyly at him.

She was annoying, certainly, but was that really worth killing over?

She moved closer, tentatively, and wrapped her arms around his still form. He could feel his resolve weaken.

When all is said and done, weren't there worst things than being held by a beautiful girl?

"Severus," she cooed, resting her head on his shoulder.

He melted. The poison slipped from his fingers but, to his surprise, didn't shatter on the stone floor.

"Oh, Severus," she sighed. "I'm so happy to be with you."

"Er," said Snape. He felt unsettled. Wasn't he upset about something? He had a vague sensation that he had been angry over something, but it felt like a long time ago. The lithe arms wrapped around him tightened, distantly reminding him of a vice grip.

Why would he think of such a thing while in the arms of such a lovely young woman...

"'scuse me."

The two lovers broke apart at the sound of the intruder's voice, Lexis looking flushed and annoyed, Severus looking dazed.

"What?" Lexis snapped.

The newcomer rolled her eyes skywards innocently. "Nothin'," she said. "But aren't there rules against this sort o' thing? This bein' a British Boardin' school an' all, I would think the rules here are a bit stiff, you read me? Not really flexible. Although, I bet you are, eh?" she said, giving Lexis a conspiratorial dig in the ribs. "I'm sure Sonny Jim here knows what I'm talkin' about," she added, winking at a stunned Snape.

Lexis gave the intruder a quick once over. She was thin, and not in the attractive way Lexis and her kind were, but a pointy sort of way. Her short black hair was flattened to her scalp, almost looking painted on. She wore Ravenclaw robes and a Prefect badge, which was odd because she didn't remember seeing her before now. Admittedly, that was partly because she didn't pay much attention to Ravenclaws. They were mostly boring nerds, anyway. She reminded Lexis distantly of a bird, although she couldn't place why.

"He certainly does not, you horrible woman," she snapped. The pointy girl's eyebrows shot into her hair line.

"Now, that's not friendly. I thought yer kind was supposed to be friend-ly."

There was a certain stress put behind the last word, a certain feeling that made Lexis feel a bit nervous. There was something odd about her smile and about the way her dark eyes gleamed. A familiar feeling. She suppressed the feeling and glared at the woman.

"If you're referring to pixies--"

"You know what I'm referring to," the girl said, smiling still.

The only change in Lexis' expression was a hardening of her gaze and a thinning of her lips. So. This Ravenclaw was one of those badger people she had been warned about. Well. That was fine.

"Severus," she began sweetly, "why don't you go back to your common room? I'll meet with you later."

Snape opened his mouth quickly, looking as if he was about to protest, but shut it after receiving a swift look from his blue-haired beloved. He left cautiously, with a preoccupied expression and a misted look in his eyes. The bird woman watched him leave with a mild look of interest on her face.

"Interestin' boyfriend you have," she commented.

"Interesting accent you have," she shot back. The Ravenclaw shrugged.

"I can be British if you like," she offered. "Ahem. Good day, kind sirrah," she said in a ridiculously pompous accent. "Chip chip, perrio and all that."

Lexis rolled her bright pink eyes, shifted her weight to one side, trying to communicate the sheer levels of exasperation through her body language. She was an important person with important places to be and important things to do, and she hardly had time to waste talking to a mad woman. She hoped the Ravenclaw would take the hint. She didn't.

"I say old bean, this tea is certainly..." she hesitated, "delicitastic, what."

"Yes, alright, enough," Lexis said, holding up her hands. "I got it, thank you."

"I just wanted you to appreciate all the effort I've put into blendin' in here."

"Really? And what about all the effort I've put in? Do you know how long it took me to find a way to get into Severus' head?" she snapped. It had taken an ungodly long time. The boy was so adorably stubborn.

"I don't really care."

Lexis scowled. She had been told that the sad little brigade girls were short sighted and rather dim, but this was exceptionally stupid. She had to admire her misplaced bravery, at the very least.

"You should," she said.

The Ravenclaw gave her a blank look. Lexis laughed airily.

"Oh, you silly little girl," she simpered, giving the other a look full of condescending sympathy. "Don't you know who I am?"

The Ravenclaw gave her a small, odd smile.

"I think so."

"Good. And I take it you're one of those Badger girls?"

The Ravenclaw looked puzzled but said nothing.

"Hah, I thought so," Lexis said, misinterpreting the silence. "Now, I'm only going to ask this once." She paused, allowing the palpable tension to build into her next statement. "Why are you here?"

Elsie was silent for once. She placed both hands on her hips, such as they were, and tilted her head to the side, staring reflectively up at the ceiling. She had been on several missions in the past, and most of the targets had asked a variant of the same question and Elsie took pleasure in answering in a witty, threatening manner, but it was getting harder and harder to do so. Her face lit up as inspiration finally struck.

"You like stories, don’t you?" she asked. Lexis frowned. "That’s all y’are, really. Just a story."

"I am here," she said slowly, reaching into her robes, "to write your ending." She pulled out her best friend in the whole world: an odd looking revolver. It appeared to have two barrels, a longer, thinner one on top and a heavier, larger one just beneath it.

"This," she began happily, savoring the weight of the thing in her hands and the look on the other girl's face, "is Jenny. She's a LeMat nine-shot revolver. This is my favourite weapon, and you know why? You see this happy little barrel on the bottom?" Lexis' eyes swung to the barrel as if hypnotized. "That's where the ninth bullet comes out. It fires a .63 buckshot that can blow your head clean off. Now, you bein' a fairy and all, I don't expect you to know what any of this means, so I'll forgive you if you don't look suitably impressed."

Lexis was still silent. Elsie smiled. It was the task of any hunter to make their target forget their powers and abilities. It was all in the voice. Never give them a chance to think about anything except their up coming end. Lexis tore her attention from Jenny and gave her a weak smile.

"Maybe we could talk?" she suggested hopefully.

She laughed airily as the colour drained from Lexis' face. "Oh, you silly girl," she simpered. "Don't you know who I am?"

Panic alighted on her delicate features. "Wait!" she shouted, throwing up her hands. "Don't I at least get last wo-"

She didn't. Elsie smiled and blew the tendril of smoke from the gun's barrel away. Good timing was everything. She replaced the gun in its holster and pulled out a small, black device. A small screen lit up instantly, showing two flashing dots - one red and one blue - moving quickly across the small, back lit square. She smiled.

"One down..." she muttered, drawing a finger across the screen, following the two dots. "Three to go."

The screen flashed, and for a moment it was covered, completely obscured by colourful dots. They were so many, located so closely together it was impossible to tell one apart from another. Elsie’s brow knit in confusion. That couldn’t possibly be right... She used the universal technique of fixing a malfunctioning piece of technology; she smacked the side of the device, while cursing progress and all its evil fruit. The screen flashed again and returned to normal.

"Damn thing," she said, scowling. "I knew it was busted." She made a mental note to have it fixed as soon as she returned to headquarters and left the hallway in silence.

Only to return a few seconds later, cursing under her breath and rummaging around in her robe pockets. She stood over the corpse and froze mid action. Thoughtfully, slowly, she brought out a small clear plastic container and knelt down. Where there should have been blood (as was the norm for most creatures) there was instead a sort of electric blue goo oozing out of the entry hole. She watched it, her brows knit in confusion. She had never seen anything quite like this before, even from fairies.

She scraped some of the mess into the plastic container and replaced it in her robes as she stood up. Once more she plunged her hand into the inner pocket of her robe and came out with a handful of sparkling dust. She sprinkled it over the corpse, which began to vanish even before she turned on her heel and fled.

A few moments later, a small black figure detached from the shadows and slunk after her.

User Image

Jackolantern, Soundly Sleeping
Scarlet Jile

Rotting seeds and orange, wiry flesh coated the cement path-- the intestines of what were once pumpkins strewn about with little regard for slick walking conditions.

“It’s going to rain soon, I hope.” A slender woman looked at the overcast sky, searching desperately for a trace of starlight. “Wash away all this garbage.”

Her husband shrugged, following her gaze up towards the billowing gray clouds. He spoke, but the cool air intermittently playing at his already soft words carried them away, and it was only then that they noticed the chill- a north wind that sank into their flesh and gnawed at their bones- a north wind that doesn’t find the heart of this mining village very often.

She scrunched up her nose at the unexpected cold and looked for a reaction from her partner who, as always, gave none. “I’m cold,” she said. “Let’s go home.”

After several moments he pulled his gaze away from the motionless sky and met her eyes with a smile. Together they moved across the splattered walkway, arm in arm, absorbing the sounds of the city- distant sirens, a flickering lamp-post swarmed with moths, willingly throwing themselves against the hot glass for a lack of better intuition.

“Ooh,” she said, extending a narrow finger towards a jackolantern whose articulate design depicted some kind of mischievous sprite. “I wish I could do things like that, you know? Artistic things.” The pumpkin’s stem had been removed, and inside was a faintly-glowing candle, exaggerating its ominous carved features. “Don’t you think that’s great?”

Air silently escaped his mouth in a haphazard chuckle.

The walkway was lined with pumpkins on either side, and the wind had extinguished all but a few of the candles within. “You’re a funny one,” she said between brief spurts of coughing laughter and looked to the handsome man at her side. He looked back and pulled a cigarette from nowhere.

With flakes of ash occasionally twirling their leisurely descent and pumpkin gore splayed across the slippery terrain, it was easy to make out some semblance of a print where she had trod. Further down the road, though it was dark and the only illumination was from the candlelight-displacing jackolanterns, she could make out the silhouette of a tall man, and see the hot cherry that hung from his lips like he’d forgotten it was there.

“Good evening, madam,” he spoke quietly when they had moved beyond the distant lamp-lights and within earshot. Calmly, he pulled the cigarette from his lips so he could flick it at a hollowed out pumpkin with cat-like eyes and a toothy grin, whose vine had never been replaced. “Enjoying your walk?”

She searched again for some reaction from her husband, whose countenance remained unflinching. “Y-yes, thank you.”

“Of course you are,” the man whispered. He lifted his narrowed eyes off the walkway to meet hers and stepped on the path, careful to avoid the pumpkins. “Wanderin’ around at night in a dangerous city like this.” He glanced over his shoulder before pulling a knife from his belt. “Give me your ******** purse. Try something stupid and I might not be content with your money.”

She felt the brutal chill penetrate her jacket about the same time she absorbed the connotation of his words, and it caused her to shudder involuntarily. Without thinking, she let the purse slide from her shoulder and hit the ground with a resounding ‘thud’ that reverberated off the narrow streets and danced through the alleys, reiterating itself in harsh undertones until she was pulled out of her daze by the sudden change in lighting.

“Many thanks,” he whispered in her ear, and slipped away between two buildings until she could no longer see his terrifying outline. A few more of the jackolanterns had been extinguished in the last passing breeze, and only one still remained lit- its weak flickering grin the thread holding her thoughts together.

Her husband smoked a cigarette that she couldn’t smell, taste or see the smoke emit from, and she frowned when he looked at her. “It would have been nice to see you stick up for me,” she said. A dark spot on the tar was evident where the thief had waited, blocking all the tiny flakes of gray for what must have been hours. She studied his footprints for a moment- smudges of ash and pumpkin that lead down the dark path where he had made his exit- and it provoked her to glance back at her own. One set of tracks were left behind them and led straight to her heels, where a minor scuffling of feet had smeared a sickening orange and black paste across the pavement.

Air filled her lungs as she steadied herself- eyes squinted shut. “It’s okay,” she murmured. Somewhere in the town, hidden behind the thick, gray curtain of drizzling ash, a car alarm was sounding off and she synchronized her heart’s rapid pounding with its dissonant chorus. “It’s okay,” she said again, “because you’re here with me now.”

He smiled affably and presented his arm in a customary offering of accompaniment.

At long last the cold breeze picked up again and snuffed out the remaining lit candle, forcing the woman to an immediate halt as her eyes endeavored ineffectually to adjust to the darkness.

“No!” she cried, and fell to her knees; the pavement bruised her soft skin but the only thing she felt was her stomach wrenching and the harsh realization that weighed upon her shoulders more than any tangible force ever could.

She was alone then- her only companion the nearby jackolantern, soundly sleeping.

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User Image - Blocked by "Display Image" Settings. Click to show.Point! What’s Your Point?
#18 Proud to be UnAmerican
Jeff A. Van Booven


Having recently switch locations to a rather, Bushwhacked, for lack of a better term, town from my more well, still pretty much overly Republican previous location I've been somewhat taken back by how many people don't really seem to get it. After watching V for Vendetta, I got into a conversation with a staunch Christian Republican about the meaning of the movie. He seemed to have completely missed the entire basis for the movie was Bush's wars leading to a fascist Orwellian state in Britain, and that the movie relies pretty much on Bush as the main tyrant power. Of course, to properly subscribe the movie to Bush you'd have to accept the conspiracy theory that he along with the New American Century people orchestrated the 9/11 attacks, which is pretty far fetched. Needless to say, this poor kid went from thinking it was an awesome movie purporting liberty and freedom against oppression, to denouncing it as utter garbage.

Though the student body is overwhelmingly republican, serving generally the more southern parts of the state, there is a growing contingent of liberals and libertarians attending. And, as with most universities, the faculty does lean left. The town itself is about twenty five percent church, and the Wal-Mart parking lot about fifty-five percent “W” stickers. Shithole aptly describes this town. Bush's policies have done nothing to help these people, the only reason this town exists is because of the University, whose goals are decidedly against those of the Christian Right.

Well, being bored and having time to think I started work on a poem that is somewhat a parody of Lee Greenwood's, “Proud to be an American” song, which is way too overplayed here.

Proud to be UnAmerican.

I'm proud to be UnAmerican,
to hang my flag up wrong.
Proud to stand up,
against George Bush,
to stop his evil throng.

I'm proud to be UnAmerican,
to protest loud and clear.
Proud to not send soldiers,
off to die in lands unknown.

I'm proud to be UnAmerican,
to know I'm really free.
Proud to stand up,
for my rights you see.

I'll not stand idly by,
while the government
takes from me,
my last shreds of liberty;
for this I take my stand.

There's no doubt that I love this land,
and for what it really stands.
But I will not say a pledge,
to a flag that doesn't represent,
the ideals of a free land.

So call me UnAmerican,
a terrorist, or a queer.
You will not take from me,
the ideals for which this nation
stands!

Life, Liberty, and the Pursuit of Happiness.
For there is one certain thing,
it was written by Jefferson.
And on July 4th,
his words declared us free,
and that's something you can't take from me.

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The Angel Divided
By Bane is on Fire!

i.
[When you didn't cry for me, I
wrote this instead.]

Trailed off, down the street,
as we're pursuing the red light
ever changing. I push and prod, afternoon
stars invisible in the sky. Rather
than be unlucky in love, I am
enraptured in your chance affairs,
stories and miscellaneous happenings.

New Years is gone, and what you've always
said has grown to be such a swelling
contradiction. Ether and conversation
welling in our times, the car outside the house
and other things.

So I name you Sweet Nothing, and
I let this brand take you the rest of the
way.

ii.
The day impacts, boldly waking
us from sleep's shallow edge.
Daybreak, heartbeat, another downtown
coffee downed. Eyes are
laid out in her mind, clicking
furiously with esoteric charm.

She unravels into the smooth sun-swept
day, brilliant as the winter cloak
falls in flakes around her.
Taking the time to breathe,
she is in-kept with the light.

“No promises,” she whispers softly, carrying
the weight, “What we can't have we
must take.”

iii.
can't sleep in the night
she won't stop breathing

running she and i in different currents
on different frequencies never stopping
the breathing seems so difficult

so difficult to breathe

electricity in water and she is
energized
her harsh breath has been cut o---

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Code of the Ninja
Courtesy of The One and Only Jahoclave

5 - ninja ninja ninja ninja ninja - The ninja approves of this; failure to cohere with the ninja's decision is a grave mistake.
4 - ninja ninja ninja ninja - The ninja enjoys this, but he finds flaws.
3 - ninja ninja ninja - The ninja would rather date your sister, but since you may not have one he will take this instead.
2 - ninja ninja - The ninja warns you that he was only marginally impressed.
1 - ninja - If proper confession is made, the ninja will forgive you for taking part in this.
0 - xp - If you are looking for an invigorating experience I would suggest poking your eye out before this; the ninja does not approve.


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Editor's Note: We're currently lacking in submissions for this department, so feel free to type up a little review (using the ninja's code, of course) to be published for the next issue! Books, music, anime, just about anything goes! So hop on that shiny soapbox already, my critical friend, I know you have something to say...

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Book Review: Kushiel's Scion
Written by Jacqueline Carey
Reviewed by Serieve

User Image - Blocked by "Display Image" Settings. Click to show.“What does it mean to be good?”

From the very first line, I was captivated. Kushiel's Scion is the beginning of a second trilogy set in a world crafted out of our own. Blending history, religion, and culture, Carey has created an original setting that is refreshingly realistic yet still magical. You can tell she’s done her homework.

Terre D’Ange, the story’s main setting, is a land known for it’s beauty as well as its arrogant snootiness (sound familiar?). The D’Angeline people are descendants of divine Elua and his companions, who walked the earth and became icons of worship. Among his following was Kushiel, known for his severity and mercy. Imriel nó Montrève de la Courcel is a scion of Kushiel. He is also the son of Terre D’Ange’s most infamous traitor and the adopted son of that same country’s two greatest saviors. Plus he’s third in line for the throne, though he admits he would be much happier as a goat herder.

And Imriel has known things no child should ever know. He has lived in shame as a slave in enemy lands and survived to see awesome wonders. He knows how lucky he is, but he can’t help feeling restless. “What does it mean to be good?” he asks himself. Throughout the book, he is constantly trying to shape his character in the same struggle that every adolescent goes through. Kushiel's bloodline gives him desires he despises, and the legacy of his traitorous mother haunts him. Despite his best efforts, some people are still blinded by the shadows he trails behind.

More than anything, Imriel wants to do great things, but what’s left to do in a land that’s already had all the heroism it needs?

Carey’s masterful writing style and creative mind give her books a surreal, provocative tone that adds depth to her characters, plot, and setting. I would advise you read the previous trilogy first, beginning with Kushiel's Dart, so that you know the history of Imriel’s adoptive parents as well as of the world itself. Truthfully though, I liked Kushiel's Scion much better. Imriel isn’t your typical male canon and I loved how realistic he was.

I’m usually skeptical of really high ratings, but I can’t bring myself to give this book anything less. However, don’t expect a lot of action or adventure. Also be warned that the core saying of Terre D’Ange is “Love as thou wilt,” and they follow it as part of their every day culture in both the innocent and sexual sense. These books all contain explicit adult themes and graphic descriptions. Make sure your sensibilities are tough enough.

5 - ninja ninja ninja ninja ninja - for Characters
4 - ninja ninja ninja ninja - for Storyline
5 - ninja ninja ninja ninja ninja - for Style
5 - ninja ninja ninja ninja ninja - for Substance
5 - ninja ninja ninja ninja ninja - Overall


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Book Review: Wicked, The Life and Times of the Wicked Witch of the West
By Gregory Maguire, 1995
Review by Rushifa

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When this book was first recommended to me, I didn't actually expect it to be good. I expected it to be funny, certainly; a lively parody and an entertaining read. But I certainly never expected to be captivated by it.

I've never been a big fan of the Wizard of Oz. Sure, I liked the movie well enough, and recently read the book, and have always enjoyed it, but I was never terribly attached. Well, now I can never look at it the same way again.

Wicked doesn't change the events of the original book, at least not very much; it merely adds context to the events which simply wasn't there before. I'll admit, I've never read beyond the first book, so I can't say how much of the mythos was already established, but Maguire throws in dimensions of politics, romance, betrayal, religion, racism, and maturity which I'm sure were not a part of the original children’s book.

As its title suggested, Wicked follows the life of the woman known to us as the Wicked Witch of the West. It sets up her birth, her family, her school days, her friends, her lovers, and her history, all while making her a character we identify with and love. He doesn't simply change her personality, he simply weaves everything together so her eventual meeting with Dorothy is understandable and sad.

The book itself is very well written. The author, although male, proves able to write both genders superbly, and allows each character to shine in their own vividly real ways. Despite being set in a fantastical land, the book feels very real. The writing is descriptive and entertaining, and the structure and connections are all very subtle and well done.

5- ninja ninja ninja ninja ninja -Characters
5- ninja ninja ninja ninja ninja -Storyline
4- ninja ninja ninja ninja -Style
4- ninja ninja ninja ninja -Substance
5- ninja ninja ninja ninja ninja -Overall


Wicked, the musical

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Developing a Story
By Serieve

It's common knowledge that everyone has a different method of developing stories. Still, it is helpful to have tips to see what works and what doesn't. With NaNoWriMo only three months away, I decided that I should give it a shot and do some research. Browsing websites and reading articles, I've been soaking up as much writing help as I can and have found several tips that I believe could benefit other writers.

Ideas

It may not always seem like it, but ideas are easy to find. Everyone gets their ideas from different places, whether it be visuals or prompts or questions. But you also want to add spice to your idea. What kind of atmosphere should the story have? What viewpoint will do it justice? Think of the possibilities.

One method of developing an idea is to start randomly asking yourself questions to see where they lead you. Ask "Why?" a lot; it's one of the more important questions and can lead you to your subconscious genius. Make it a journal. Don't worry about how many pages you take up or how refined the details are. All you're doing is exploring. This is called the David Morrell Method, so no, it's not some hokey pokey thing I made up.

Also make a list of things that need to be researched. You'd be surprised by how much realism can add to a story. For fantasy writers, this article by Poul Anderson details several facts that many authors (published and not) ignore all together.

Plotting

There are two types of writers in the world: Outline Writers (OWs) and No Outline Writers (NOWs). Some will do a bit of both, but generally they have a preference. OWs are the funny people who always carry around index cards or huge rolls of paper or some other instrument of plotting-performance. They have the advantage of a story with structure, but they are also in danger of ignoring what their characters want. They like to keep the story boxed inside a nice, neat little outline. NOWs grab an idea and just write. Their plot may not be all there, and it may not be totally cohesive, but some fresh writing and spontaneous ideas can come out. The rest can be fixed with several major edits.

It's always best for one to stick a toe in the other's pool, so where ever you stand, be adventurous and see just how green that grass is. Whether you be an OW or a NOW, find a plotting system that works for you and add your own flare to it.

NoteCarding

Index cards are a lot of fun. You can hold them and shuffle them, spread them out, make them fly, whatever your fancy. They also make for a very flexible plotting system. So to start, buy your own personal pack, big or small, and write down random scenes. If you bought the big cards, you can try writing out the whole scene, or if you have smaller ones, just put down the main gist. Make sure every scene has the essential conflict and key point.

But like I said, write the scenes randomly. Even if it has seemingly nothing to do with your intended plot, write it down. Dramatic? Write it down. Comedic? Write it down. Listen to your characters. Put them into different scenarios. What do they want to do?

Undoubtedly, you'll start to see connections. One or more of your cards may strike you as a good opening/closing scene. You might see subplots. Put all your cards in order, either as a stack or in a line. If there are cards that you just don't think you can use, put them aside in a pile, but don’t throw them away. Number your stack/line in pencil. Then shuffle them well, adding in your discard pile. Make a mess. Then read through them again, card to card, and see if there are any connections or subplots you missed.

Once again, put them in order as you see fit. Repeat the shuffling and ordering as much as you want, but as soon as you're done you’ll want them in a line. Read through, see what your plot needs. If you think something else needs to happen between two cards, put a blank one between them. If you think two cards can be combined into one scene, put them together.

Start writing. If things change, change your cards. Keep your discard pile. Make new scenes. The beauty of this system is flexibility, so flex it.

Outline As You Go

Nowadays we've got cereal bars and Go-tarts, game boys, ipods, laptops, etc. We can do just about anything on the go, so why not outline as we write? It's a good system for OWs and NOWs alike, so give it a shot.

To start off, have your spiced-up idea on hand along with nifty things like your New York Times Bestseller one-liner or a back cover synopsis. You'll want all the basics planned out: a good Lead character, his/her Objective, a Confrontation, and an idea of what your Knock-out ending will be. This is otherwise known as the LOCK system. You're allowed to change things as you go, but you'll want these when you start.

Now write the first chapter/scene of your story. When you finish, immediately write down your ideas for the next segment. Play around with them. Think of all the possibilities. You should have all sorts of things in mind, so write them. If you don't like what you see, then you can rewrite the first chapter and do it differently. Once you're happy, write the next chapter/scene and do the same thing.

One warning: be sure that you don't loose the rhythm or the tone of the story in the middle of your brainstorm. We've got enough stories out there with choppy flows and chapterly mood-swings.

Snowflaking

I hate to say this, but math really does tie into everything. Fractals, for example, are a much explored mathematical thingamabob that can be implemented in plotting. For a good demonstration, go here. This example actually turns out looking like a snowflake, so it gives a better idea of how this system works and why it's called snowflaking.

The article I originally got this from is very long, very detailed, and goes in ten steps, but I will shorten the steps as best I can. Take time on each segment of this system. Weeks and days are nothing to bat an eye at.

Let me say this now and stress it: While making this plot outline, go back and change things as you see fit. It's a good sign, and means your characters are helping you shape the story. Also, your outline does not have to be perfect! This is meant only to advance things, so keep a forward momentum!

[1] First, write a one-sentence synopsis of your story. Don't use character names, and the shorter the better. This is really hard, so look for examples to read. I have one here that I blatantly reworded from the article's original example: "A crazy psychiatrist travels back in time to kill himself."

[2] Now expand your one-liner into a paragraph, taking as much time as you need. Five sentences is ideal, so don't go crazy. Make sure you cover the story's climactic points (there should only be two to three) and the ending. If you've heard of the Three Act structure, make sure each Act conclusion is included. For those of you who don't know what the Three Act structure is, go here.

[3] Next write a one page summary on each of your main characters. This is very important and will help a lot. Include each of the following:

- Character's name
- A one-sentence summary of the character's personal story line.
- Character's motivation (what does he/she want abstractly?)
- Character's goal (what does he/she want concretely?)
- Character's conflict (what prevents him/her from reaching this goal?)
- Character's epiphany (what will he/she learn and how will he/she change?)
- A one paragraph summary of the character's personal story line, expanded off the one-liner.

[4] Now go back to your plot synopsis and expand each sentence into another paragraph, detailing the climactic points and then the ending. Spend time on it.

[5] Next, do a one page description of your main characters in his or her point of view. Do a half page description of minor characters in the same way.

[6] Again, switch back to your plot synopsis and expand on the paragraphs, giving more details. You should have several subplots in mind and little story threads for your characters. Remember that you can go back and change things!

[7] Make full-fledged character charts (your own, or try this one. Detail everything there is to know about each character. Include standard things like birth date, description, history, motivation, goal, etc. Expand on the info in Step 3. Great fiction is character driven, so take your time!

[8] Use your synopsis in Step 6 and make a list of all the scenes that you’ll need to turn the story into a book. The easiest way is to use spreadsheets, or Microsoft Excel. Learn how to use this program, because it will be very helpful in writing and makes it much easier to analyze your story. Buy a book on it or look it up on the web (here is a good site). Make one line for each scene. In one column, list the POV characters. In a another wider column tell what happens. Optionally add other columns for things like word counts or page numbers, chapter transitions, etc. You can add things and make new versions of this spreadsheet as the story develops.

[9] [Optional] Switching back to your word processor (squee), write a narrative description of your story. Take each line of the spreadsheet and expand it into a multi-paragraphed description of the scene. Add cool lines of dialogue that you happen to think of or sketch out the essential conflict of the scene. If there isn't any conflict, add some or scrap it. This is like a prototype first draft, which is why it's optional.

[10] Start the genuine first draft. Fix the design documents as needed. They are not cement shoes; they are flippers.

Links & Resources

Character Chart -A large chart that you could use and improvise on. Now you and your character can be more intimate than you ever wanted to be. Yay!
Fractal Snowflake
It's Just a Phase by Lazette Gifford -I didn't mention this plotting system, but it’s a lot like the Outline As You Go segment, except that you don’t outline as you go, and you're supposed to have this completely done before you start writing.
NaNoWriMo, directed by Chris Baty -National Novel Writing Month. 50,000 words, 30 days. Widely celebrated in the Writer's Forum.
Notecarding: Plotting Under Pressure by Holly Lisle -This is another version of the notecarding technique, only there's more math and I don't like this one.
On Thud and Blunder by Poul Anderson -A whole slew of common mistakes made in Generic Fantasy. Who knew?
Romance Guide by limyaael -This has some valid points and useful tips on writing romance.
Snowflaking by Randy Ingermanson -This is my resource for the Snowflaking segment. It has more details and gives a few tips on what editors like (which I left out of my version).
Spreadsheet Site
Three Act Structure -This looks like a nifty writing site. Try exploring it sometime.
Plot & Structure, by James Scott Bell. Part of the Write Great Fiction series. -I used this for several of my article points, such as the LOCK system reference, Notecarding, and Outline As You Go.

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Scary Write-bot 1500 critiques:

Quote:
(1) Scary Fairy
(2) Thank You Card


I'm not sure about this title. It feels... Boring. Like, really boring. I think you could make it have the same effect, but this ain't cutting it.

Quote:
Its never comfortable
sleeping on your couch.

Hmm. I think this a pretty good start. I like the whole 'I can't sleep on your couch' vibe.

Quote:
The blankets only made my skin
more aware
of the fridge in the corner.

Well, I believe that blankets wouldn't make skin more aware of the cool. Also, that second line feels pretty weak. Maybe it's something with the line breaks.

Quote:
There's no need for lace
to cover me up.

Wait. It just said that you were covered with blankets, right? Be a little more clear. Also, I do like how it's stating that the blankets were skimpy. Interesting way of saying it, but this format isn't working.

Quote:
The walkie talkies we had
in childhood, you know where
they are? Snail mail won't
cover it when I leave
the country.


I find this really kiddy-cute. I think the question is okay, but I'm not sure about leaving it unanswered. The whole 'snail-mail' thing; is it a ploy to say you think its too expensive?

Quote:
You say we're too
young -- look in the mirror.


Okay, too young for what? I think I know what you're implying, but let's make sue that everyone knows, shall we? The 'look in the mirror' is kinda borderline cliche, too. I think it's acceptable to keep, though, in this setting.

Quote:
We're not the kids who
fed the ducks.


Ah, sharing memories? Well, let's make sure you know that the reader will pick up on this memory-vibe.

Quote:
Let's go on some mainsteam
road trip, music blasting and
cigarettes in our right hands,
so Daddy won't find us. All


I think that 'music' could be replaced with 'FM radio' or something to stay with that mainstream air.

Quote:
he'll have are year-old suicide
notes and stale photographs of us.


Crunchy photographs? Cool! I think that 'notes' could move to the line above it.

Quote:
Color me bored, dear, for
this everyday
idea is getting to taste
like a stale bread crumb plea,


Color me bored? Hmm, I'm not sure if this is cliche or not, but I'd be careful with it. The first line break wasn't very good, either. Also, are we going back to the feeding the ducks theme? I like it. I think you've got a little redundance with 'stale'.

Quote:
complete with a monotone,
"No, its my hot dog, not yours."


Heh. Cute.

Quote:
Eternity's a long time -- there's
not much left to say.


Okay, and all I can say is WTF? I think this would be a lovely concept if it weren't so bluntly put out.

Quote:
I'm tired, tired, tired. Mom
says I should grow up,
get a job, do something
worthwhile for once.


Ooh. And now we go to the pressure-of-Mother that everyone feels. I believe someone took a little note from Ms. Plath on that first sentence.

Quote:
Can't you smell the sweat? There's


This first sentence just screams "SO NOVELTY-LIKE THAT ITS CHEESY". Now, c'mon. You can do better than that.

Quote:
a Slacker dream that's a
broken dream. The Sims 2
is on trial for treason.


Very smart right here. Taking the video game trials to the extreme? I do believe that 'broken dream' was cliche, though. In fact, that first sentence could use some re-wording.

Quote:
These scripted words don't say much.


Oh, I like this ending. Very watch-your-words like.

Overall: Okay, not exactly the best, but it's acceptable. Maybe. I liked all the ideas, and how it felt very transitional throughout a young life. Nice for the whole underlying autobio. BUT. You need to make sure everyone knows what the hell you're talking about. Its okay to be abstract, but there's no need to go abstraction-overboard.

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Serieve's Note: It's been a hectic end-of-the-month, and I was pretty worried this wouldn't get finished. While putting things together I thought maybe we could do a few changes, like getting rid of the Latest Gossip section in the Neighborhood Watch and possibly creating a Writer's Spotlight segment to showcase some inspirational talent of all levels. Also, we have a problem voting for BOI because we have so few staffies, and we all like totally different pieces, so we end up with a tie. Every. Single. Month. If you have any suggestions, speak up! I'd love some ideas.

For some good news, Deabus Amor has traveled through rough times and come back to us at last! biggrin She's been with the Press since Day 1, and I'm very happy to have her back.

However, on a sad note, Lilly says she'll be leaving soon ( gonk ), and she's also been here since Day 1. The Press won't be the same without her. I keep hoping she'll change her mind.

Anyway, I've said enough. Thank you all so much for reading--we really do appreciate it. I hope to see you next month!
Very nice, Serieve. And, very long. Long, in this case, meaning: I'll have to read this when I get home from school tomorrow, because I don't have the time to read in straight through now. (Stupid homework. Stupid 'crastination of mine.)

My choice on the poll option: +3, 'cause staffies count extra.
Actually, there needs to be the plus 250 Jahoclave Exclusive option, because he's really just that ******** awsome.
Jahoclave
Actually, there needs to be the plus 250 Jahoclave Exclusive option, because he's really just that ******** awsome.

....Why did I know you were going to say something like that?
Lillian Ashe
Jahoclave
Actually, there needs to be the plus 250 Jahoclave Exclusive option, because he's really just that ******** awesome.

....Why did I know you were going to say something like that?

Because I am that awesome?
Jahoclave
Lillian Ashe
Jahoclave
Actually, there needs to be the plus 250 Jahoclave Exclusive option, because he's really just that ******** awesome.

....Why did I know you were going to say something like that?

Because I am that awesome?

Of course.
Lillian Ashe
Jahoclave
Lillian Ashe
Jahoclave
Actually, there needs to be the plus 250 Jahoclave Exclusive option, because he's really just that ******** awesome.

....Why did I know you were going to say something like that?

Because I am that awesome?

Of course.
Damn straight. Now move all zig (a.k.a. good looking girls) to Rolla for great justice.
Hey cool, best of issue. smile That cheers me up after a rather bad day.
Congrats on Best of Issue, Bane.
Fics in the Gaian Press? Harry Potter, none the less?
That was rather unexpected.

Awesome issue, as always, though.

Snow Snowfriend

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[neon.zombie]
Fics in the Gaian Press? Harry Potter, none the less?
That was rather unexpected.

Awesome issue, as always, though.

The Badger Brigade is a fic we've been publishing since our first issue, but these last few issues she hasn't been able to update.

But I think we're going to limit it to just one fanfic at a time, start to finish.
For the record, Serieve, I may have been here since Day 1, but I haven't been with the 'zine consistently, from then to now. Lit off for a few issues, didn't I?
Lillian Ashe
For the record, Serieve, I may have been here since Day 1, but I haven't been with the 'zine consistently, from then to now. Lit off for a few issues, didn't I?

For the record, I provided "moral support" since day one. xp wink

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