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Solos: Preconceived or on the spot? Goto Page: [] [<] 1 2 3 ... 4 5 6 [>] [»|]

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Solos?
  Pre-thought
  On the spot
  OMG Me? Play by myself? In front of a crowd?
  Sometimes pre-thought, sometimes on the spot
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MHHornfreak
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PostPosted: Sun Jul 09, 2006 8:46 pm


I pretty much improvise my solo's. I can be a lick player but i'm trying to get away from that. It's good to be able to play Bebop licks out of memory but pretty much most of jazz solos are improvised. If i'm in a slump when trying to get the changes to a solo in a song to work i listen to the original solo and get ideas from it.

I work alot on reading changes and being able to play with them for solo's. Now when i learn a lick i try to learn it in all twelve keys so i can use it for a solo if it fits. That's pretty much how i solo.
PostPosted: Mon Jul 10, 2006 11:51 am


Whats the best way to start a solo you spose?
With a lick from the song to make your solo relavant or just.... runs? or single long note?
I know it vaires from song to song... but whatd you say is the best?

That Jazzy Frood.


doc.hyphae

PostPosted: Mon Jul 10, 2006 5:45 pm


i always play on the spot because it's more exciting. i don't like written out solos because it contradicts the whole concept of improv. making up a couple of licks and memorizing them is fine, but not a whole solo. plus, after your solo, if somebody asks you if you made that up just then they'll be more impressed if you did wink .
PostPosted: Mon Jul 10, 2006 5:48 pm


I work alot on reading changes and being able to play with them for solo's. Now when i learn a lick i try to learn it in all twelve keys so i can use it for a solo if it fits. That's pretty much how i solo.

that's exactly what my teacher tells me to do when i have a solo or make a lick. i'm also currently working on 2-5-1 licks, or just 2-5.

doc.hyphae


Ash Rail

PostPosted: Mon Jul 10, 2006 7:32 pm


That Jazzy Frood.
Whats the best way to start a solo you spose?
With a lick from the song to make your solo relavant or just.... runs? or single long note?
I know it vaires from song to song... but whatd you say is the best?


If I have a longish solo, sometimes I just start with embellishing the head for the first chorus. Then I deviate more and more until it's purely improvised.
When it's AABA, sometimes it's fun to play the head for the A's and then improvise on B for a breather. It helps introduce the improvisation, while still sounding familiar to the people unfamiliar with jazz.

I always try to start and end solos slow or lightly. I might have a very late climax, but if possible, I always try to resolve my solos as much as possible so the head comes back without much unused "momentum," I guess.

Btw, thanks to that guy who brought up Moanin' I've had it in my head since. I ended up teaching myself the head, in all twelve keys. : ) Now I can pull motifs from that whenever I want.
PostPosted: Sat Jul 15, 2006 5:03 pm


do you guys ever quote songs in your solos?

doc.hyphae


Ash Rail

PostPosted: Sat Jul 15, 2006 5:06 pm


I don't try to. They just come up. : )
PostPosted: Sat Jul 15, 2006 5:26 pm


can't help it, huh?

doc.hyphae


Ash Rail

PostPosted: Sat Jul 15, 2006 9:44 pm


Idk. I can just not do it, but if I feel like it then I'll probably go for it.
PostPosted: Sat Jul 15, 2006 11:17 pm


what's ur favorite type of jazz to solo on? i like latin jazz and swing.

doc.hyphae


[[ Helios ]]

PostPosted: Sun Jul 16, 2006 6:04 am


Unless my director is really set on playing a written solo, I hate doing that. I always freak and think i'm going to mess up. That's why I like improv-- it's technically impossible to mess up!

Edit: Swing and blues. I love the sound of the sax just wailing, expressing the 'pain' of the song itself. Oh, and a little bit of latin too. I however, hate rock jazz.
PostPosted: Sun Jul 16, 2006 12:29 pm


Adiaforon
Hm. I don't always agree with him either, he can be quite, fatalistic is actually a good description. In this matter I don't feel I've tried improvising enough to say this or the other. But it is an interesting idea, to connect the music to well-known theories about our subconsciousness


It's very interesting. That's why art in any form is so much fun. All the stuff it does for the subconscious is just mind boggling.

Ash Rail


Ash Rail

PostPosted: Sun Jul 16, 2006 12:38 pm


There was only one song last year with room for a bari solo. ^ ^; it was funk. I'm not good at funk.
PostPosted: Thu Jul 27, 2006 6:13 pm


ill usually find a theme or a head that i like and build on it differently each time. theres a solo i do when my band plays Herbie Hancock's "Chameleon" that starts off the same way every time, just so my bandmates know to get out of the way a little bit. but after a few bars its all improv.

EchoRunner


doc.hyphae

PostPosted: Sat Jul 29, 2006 9:49 pm


DrkMerchant
Unless my director is really set on playing a written solo, I hate doing that. I always freak and think i'm going to mess up. That's why I like improv-- it's technically impossible to mess up!

Edit: Swing and blues. I love the sound of the sax just wailing, expressing the 'pain' of the song itself. Oh, and a little bit of latin too. I however, hate rock jazz.


3nodding blues is my other choice. i like the way you think.
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The Jazz Guild

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