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Posted: Mon Jul 13, 2009 8:04 pm
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Posted: Tue Jul 14, 2009 2:19 pm
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Well, as far as vampiric lore goes I know almost nothing. I have heard that the legend of the vampire originates from the infamous Vlad the Impaler, who allegedly did consume human blood in the hopes that it would prolong his youth.
As for what makes a good book relating to vampires...well I suppose it varies from person to person, its a matter of opinion really, but catching the basics of what can make any novel great (or at least readable) would be a good start. Create, interesting, multi dimensional characters, give them complex emotions, and give them flaws to make them seem real, nobody is perfect. I find that during the events of a novel, its main characters should learn from the experiences they go through, evolve as characters and be different people to a greater or lesser extent by the novels conclusion.
Vampire novels should always be dark, and even a little disturbing, you want your readers to see the dark side of the monster, not the good.
Be careful when your choosing your settings as well, as that can have a huge impact on the way your story will grow.
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Omnipotent Uncertainties Captain
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Posted: Tue Jul 14, 2009 8:56 pm
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Posted: Tue Jul 14, 2009 9:25 pm
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Personally in my honest opinion a Vampyric creature has the ability to either be an antagonist persay or a protagonist because in my belief Vampyres could either be benevolent or malevolent because I say they have the compacity to choose, in my novels at least. There are malevolent Vampyres and Benevolent Vampyres. I agree with both of you one hundred percent about the Anti-Twilight I could not stand Twilight. I detest it with a passion! Vampyric people do not sparkle; every true Vampyric fan should know this. Twilight has give the Nosferatu a undeserved reputation. I agree with what makes a good Vampyre novel, and that is what I try to do within my works.
If you can you should stop by the "Arena" and check out my exert from a novel of mine called Journey Destined. It is a Fan-Fiction of Dracula, yet I must defend myself and say that it is not a beginner at the writing game. I have been writing since I was the youthful age of fourteen, and I taught myself everything I know. I also have a non-fiction article called "Gay Rights: right or wrong." It is my honest opinion about why homosexual marriage should be legalized.
(The tags for Journey destined are "Vampire, Dracula, Journey, Fiction." It is a five star piece so far, and the lower four point seven article should be under "Marriage, Article, Articles, gayrights.")[/b
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Posted: Sun Jul 19, 2009 12:18 pm
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Posted: Sun Jul 19, 2009 11:37 pm
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Posted: Mon Jul 20, 2009 11:16 am
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Posted: Mon Jul 20, 2009 12:37 pm
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Posted: Thu Sep 17, 2009 2:36 pm
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I'm going to ignore the nonsense over the spelling of it, because it should be clear what we're talking about no matter how someone spells it. I don't care if it's spelled fhampirhe, I think we know what we're talking about.
Anyway, I think there's two key things that are often lost among even some of the better vampire fiction.
1. A vampire's attack must have some weight. If a vampire kills somebody, it should make ripples through the lives of everyone that mattered to that somebody. If a teenage girl is killed by a vampire, we should feel, and see, the aftermath. The funeral, the hard times for her family. Too often these days, victims are written off as nothing more than expendable bodies, but we must be reminded that, no matter what the person may have been like in life, they were someone's daughter, or son, or brother, or father, or sister. Someone, somewhere, loved them, and it's rare these days that we truly get a sense of how terrible and tragic a vampire attack can be. So many authors are so wrapped up in making the vampire a protagonist, that we can't see how that vampire manages to affect the lives of the people left in it's wake.
2. All it takes to shatter a community is one vampire. A lot of people have forgotten why the idea of many vampires is so frightening. I think that, if a society of vampires is really going to be bought as a truly terrifying concept, or heck, even just a plague of vampirism, then it needs to be established how dangerous an individual vampire can be. Once we get an idea of how frightening a lone vampire is, the idea of a whole bunch of them will seem even more frightening and amazing.
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