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I've noticed in the news that a lots of famous people are dieing lately and gaian people like to talk about it or reply in remorse or whatever. So this is the place to post and talk about the death of famous people. Morbid....a bit, but it is news and some people just like to comment.

Thats not morbid, it's nice, it's a rememberance kind of thing.

Legendary designer Yves Saint Laurent dies at 71

PARIS - Yves Saint Laurent, one of the most influential and enduring designers of the 20th century, empowered women by reinventing pants as a sleek, elegant staple of the female wardrobe.

Saint Laurent, 71, died Sunday night at his Paris home after a yearlong battle with brain cancer, said Pierre Berge, Saint Laurent's close friend and business partner for four decades. "Chanel gave women freedom," and Saint Laurent "gave them power," Berge said on France-Info radio. He called Saint Laurent a "true creator" who went beyond the aesthetic to make a social statement.

"In this sense, he was a libertarian, an anarchist and he threw bombs at the legs of society," he said. "That's how he transformed society and that's how he transformed women." The Gucci Group, which acquired the Yves Saint Laurent fashion house in 1999, said the designer's death "leaves a great emptiness but also a sublime inheritance."

"This genius of creation shattered the codes to create French elegance which today makes Paris a grand capital of fashion," Gucci said.

Berge, speaking Monday on the France-2 TV station, stressed Saint Laurent's "profound love" for women. He used fashion to "serve women" and not "use them," said Berge, who collaborated with the designer for four decades and was his former romantic partner.

In his own words, Saint Laurent once said he felt "fashion was not only supposed to make women beautiful, but to reassure them, to give them confidence, to allow them to come to terms with themselves."

Saint Laurent widely was considered the last of a generation that included Christian Dior and Coco Chanel and made Paris the fashion capital of the world, with the Rive Gauche, or Left Bank, as its elegant headquarters.

The designer raised the stature of fashion while making it more accessible, it is widely agreed. President Nicolas Sarkozy praised Saint Laurent for "putting his mark on a half-century of creation, in luxury as well as ready-to-wear."

For Culture Minister Christine Albanel, the designer personally touched women's lives.

"This brilliant idea that a woman could be the most feminine possible while dressing like a man ... it seems to me decisive," she told Associated Press Television News. "Little by little, women get rid of their corset and then they live differently." From the first YSL tuxedo and his trim pantsuits to see-through blouses, safari jackets and glamorous gowns, Saint Laurent created instant classics that remain stylish decades later.

"Mr. Saint Laurent revolutionized modern fashion with his understanding of youth, sophistication and relevance. His legacy will always be remembered," said Calvin Klein designer Francisco Costa.

Saint Laurent was born Aug. 1, 1936, in Oran, Algeria, where his father worked as a shipping executive. He first emerged as a promising designer at age 17, winning first prize in a contest sponsored by the International Wool Secretariat for a cocktail dress design. A year later, in 1954, he enrolled at the Chambre Syndicale school of haute couture, but student life lasted only three months. He was introduced to Christian Dior, then regarded as the greatest creator of his day, and Dior was so impressed with Saint Laurent's talent that he hired him on the spot. When Dior died suddenly in 1957, Saint Laurent was named head of the House of Dior at age 21.

He opened his own haute couture fashion house with Berge in 1962. The pair later started a chain of Rive Gauche ready-to-wear boutiques. Saint Laurent's simple navy blue pea coat over white pants, which the designer first showed in 1962, was one of his hallmarks. His "smoking," or tuxedo jacket, of 1966 remade the tux as a high fashion statement for both sexes. It remained the designer's trademark item and was updated yearly until he retired.

Also from the 60s came Beatnik chic — a black leather jacket and knit turtleneck with high boots — and sleek pantsuits that underlined Saint Laurent's statement on equality of the sexes. He showed that women could wear "men's clothes," which when tailored to the female form became an emblem of elegant femininity. Some of his revolutionary style was met with resistance. There are famous stories of women wearing Saint Laurent pantsuits who were turned away from hotels and restaurants in London and New York.

Saint Laurent's rising star was eternalized in 1983, when the Metropolitan Museum of Art devoted a show to his work, the first ever to a living designer. He was awarded the Legion d'Honneur in 1985. But bouts of depression marked his career. Berge, who lived with the designer for years, was quoted as saying that Saint Laurent was born with a nervous breakdown. When Saint Laurent announced his retirement in 2002 at age 65 and the closure of the Paris-based haute couture house, it was mourned in the fashion world as the end of an era. His ready-to-wear label, Rive Gauche, which was sold to Gucci in 1999 for $70 million cash and royalties, still has boutiques around the world. Saint Laurent had long been rumored to be ill, and Berge said on RTL radio Monday that he had been afflicted with brain cancer for the past year.

"He no longer liked the world of today's fashion ... he said it didn't understand him," Berge said.

"He had a great, immense love affair with fashion. It's true that he left the profession, but in a couple you can split up because you must do so ... and still be very unhappy," he said. "That was his case." After retirement, Saint Laurent spoke of his battles with depression, drugs and loneliness, though he gave no indication that those problems were directly tied to his decision to stop working.

"I've known fear and terrible solitude," he said. "Tranquilizers and drugs, those phony friends. The prison of depression and hospitals. I've emerged from all this, dazzled but sober." A funeral ceremony was scheduled for Thursday at the Saint Roch Church in central Paris, Berge said, moving the date announced earlier forward by a day.

Tim Russert died. =(

George Carlin, 71, Irreverent Standup Comedian, Is Dead
By MEL WATKINS
Published: June 24, 2008


George Carlin, the Grammy-Award winning standup comedian and actor who was hailed for his irreverent social commentary, poignant observations of the absurdities of everyday life and language, and groundbreaking routines like “Seven Words You Can Never Say on Television,” died in Santa Monica, Calif., on Sunday, according to his publicist, Jeff Abraham. He was 71.

The cause of death was heart failure. Mr. Carlin, who had a history of heart problems, went into the hospital on Sunday afternoon after complaining of heart trouble. The comedian had worked last weekend at The Orleans in Las Vegas.

Recently, Mr. Carlin was named the recipient of the Mark Twain Prize for American Humor. He was to receive the award at the Kennedy Center in November. “In his lengthy career as a comedian, writer, and actor, George Carlin has not only made us laugh, but he makes us think,” said Stephen A. Schwarzman, the Kennedy Center chairman. “His influence on the next generation of comics has been far-reaching.”

In an interview with The Associated Press, Jack Burns, who performed with Mr. Carlin in the 1960’s as one half of a comedy duo, said “He was a genius and I will miss him dearly.”

Mr. Carlin began his standup comedy act in the late 1950s and made his first television solo guest appearance on “The Merv Griffin Show” in 1965. At that time, he was primarily known for his clever wordplay and reminiscences of his Irish working-class upbringing in New York.

But from the outset there were indications of an anti-establishment edge to his comedy. Initially, it surfaced in the witty patter of a host of offbeat characters like the wacky sportscaster Biff Barf and the hippy-dippy weatherman Al Sleet. “The weather was dominated by a large Canadian low, which is not to be confused with a Mexican high. Tonight’s forecast . . . dark, continued mostly dark tonight turning to widely scattered light in the morning.”

Mr. Carlin released his first comedy album, “Take-Offs and Put-Ons,” to rave reviews in 1967. He also dabbled in acting, winning a recurring part as Marlo Thomas’ theatrical agent in the sitcom “That Girl” (1966-67) and a supporting role in the movie “With Six You Get Egg-Roll,” released in 1968.

By the end of the decade, he was one of America’s best known comedians. He made more than 80 major television appearances during that time, including the Ed Sullivan Show and Johnny Carson’s Tonight Show; he was also regularly featured at major nightclubs in New York and Las Vegas. That early success and celebrity, however, was as dinky and hollow as a gratuitous pratfall to Mr. Carlin. “I was entertaining the fathers and the mothers of the people I sympathized with, and in some cases associated with, and whose point of view I shared,” he recalled later, as quoted in the book “Going Too Far” by Tony Hendra, which was published in 1987. “I was a traitor, in so many words. I was living a lie.”

In 1970, Mr. Carlin discarded his suit, tie, and clean-cut image as well as the relatively conventional material that had catapulted him to the top. Mr. Carlin reinvented himself, emerging with a beard, long hair, jeans and a routine that, according to one critic, was steeped in “drugs and bawdy language.” There was an immediate backlash. The Frontier Hotel in Las Vegas terminated his three-year contract, and, months later, he was advised to leave town when an angry mob threatened him at the Lake Geneva Playboy Club. Afterward, he temporarily abandoned the nightclub circuit and began appearing at coffee houses, folk clubs and colleges where he found a younger, hipper audience that was more attuned to both his new image and his material. By 1972, when he released his second album, “FM & AM,” his star was again on the rise. The album, which won a Grammy Award as best comedy recording, combined older material on the “AM” side with bolder, more acerbic routines on the “FM” side. Among the more controversial cuts was a routine euphemistically entitled “Shoot,” in which Mr. Carlin explored the etymology and common usage of the popular idiom for excrement. The bit was part of the comic’s longer routine “Seven Words You Can Never Say on Television,” which appeared on his third album “Class Clown,” also released in 1972.

“There are some words you can say part of the time. Most of the time ‘a**’ is all right on television,” Mr. Carlin noted in his introduction to the then controversial monologue. “You can say, well, ‘You’ve made a perfect a** of yourself tonight.’ You can use a** in a religious sense, if you happen to be the redeemer riding into town on one — perfectly all right.”

The material seems innocuous by today’s standards, but it caused an uproar when broadcast on the New York radio station WBAI in the early ‘70s. The station was censured and fined by the FCC. And in 1978, their ruling was supported by the Supreme Court, which Time magazine reported, “upheld an FCC ban on ‘offensive material’ during hours when children are in the audience.” Mr. Carlin refused to drop the bit and was arrested several times after reciting it on stage.

By the mid-’70s, like his comic predecessor Lenny Bruce and the fast-rising Richard Pryor, Mr. Carlin had emerged as a cultural renegade. In addition to his irreverent jests about religion and politics, he openly talked about the use of drugs, including acid and peyote, and said that he kicked cocaine not for moral or legal reasons but after he found “far more pain in the deal than pleasure.” But the edgier, more biting comedy he developed during this period, along with his candid admission of drug use, cemented his reputation as the “comic voice of the counterculture.”
Mr. Carlin released a half dozen comedy albums during the ‘70s, including the million-record sellers “Class Clown,” “Occupation: Foole” (1973) and “An Evening With Wally Lando” (1975). He was chosen to host the first episode of the late-night comedy show “Saturday Night Live” in 1975. And two years later, he found the perfect platform for his brand of acerbic, cerebral, sometimes off-color standup humor in the fledgling, less restricted world of cable television. By 1977, when his first HBO comedy special, “George Carlin at USC” was aired, he was recognized as one of the era’s most influential comedians. He also become a best-selling author of books that expanded on his comedy routines, including “When Will Jesus Bring the Pork Chops?,” which was published by Hyperion in 2004.

He was “a hugely influential force in stand-up comedy,” the actor Ben Stiller told The Associated Press. “He had an amazing mind, and his humor was brave, and always challenging us to look at ourselves and question our belief systems, while being incredibly entertaining. He was one of the greats.”

Pursuing a Dream

Mr. Carlin was born in New York City in 1937. “I grew up in New York wanting to be like those funny men in the movies and on the radio,” he said. “My grandfather, mother and father were gifted verbally, and my mother passed that along to me. She always made sure I was conscious of language and words.”

He quit high school to join the Air Force in the mid-’50s and, while stationed in Shreveport, La., worked as a radio disc jockey. Discharged in 1957, he set out to pursue his boyhood dream of becoming an actor and comic. He moved to Boston where he met and teamed up with Jack Burns, a newscaster and comedian. The team worked on radio stations in Boston, Fort Worth, and Los Angeles, and performed in clubs throughout the country during the late ‘50s.

After attracting the attention of the comedian Mort Sahl, who dubbed them “a duo of hip wits,” they appeared as guests on “The Tonight Show” with Jack Paar. Still, the Carlin-Burns team was only moderately successful, and, in 1960, Mr. Carlin struck out on his own. During a career that spanned five decades, he emerged as one of the most durable, productive and versatile comedians of his era. He evolved from Jerry Seinfeld-like whimsy and a buttoned-down decorum in the ‘60s to counterculture icon in the ‘70s. By the ‘80s, he was known as a scathing social critic who could artfully wring laughs from a list of oxymorons that ranged from “jumbo shrimp” to “military intelligence.” And in the 1990s and into the 21st century the balding but still pony-tailed comic prowled the stage — eyes ablaze and bristling with intensity — as the circuit’s most splenetic curmudgeon.

During his live 1996 HBO special, “Back in Town,” he raged over the shallowness of the ‘90s “me first” culture — mocking the infatuation with camcorders, hyphenated names, sneakers with lights on them, and lambasting white guys over 10 years old who wear their baseball hats backwards. Baby boomers, “who went from ‘do your thing’ to ‘just say no’ ...from cocaine to Rogaine,” and pro life advocates (“How come when it’s us it’s an abortion, and when it’s a chicken it’s an omelet?”), were some of his prime targets. In the years following his 1977 cable debut, Mr. Carlin was nominated for a half dozen Grammy awards and received CableAces awards for best stand-up comedy special for “George Carlin: Doin’ It Again (1990) and “George Carlin: Jammin’ “ (1992). He also won his second Grammy for the album “Jammin” in 1994.

Personal Struggles

During the course of his career, Mr. Carlin overcame numerous personal trials. His early arrests for obscenity (all of which were dismissed) and struggle to overcome his self-described “heavy drug use” were the most publicized. But in the ‘80s he also weathered serious tax problems, a heart attack and two open heart surgeries.

In December 2004 he entered a rehabilitation center to address his addictions to Vicodin and red wine. Mr. Carlin had a well-chronicled cocaine problem in his 30s, and though he was able to taper his cocaine use on his own, he said, he continued to abuse alcohol and also became addicted to Vicodin. He entered rehab at the end of that year, then took two months off before continuing his comedy tours.

“Standup is the centerpiece of my life, my business, my art, my survival and my way of being,” Mr. Carlin once told an interviewer. “This is my art, to interpret the world.” But, while it always took center stage in his career, Mr. Carlin did not restrict himself to the comedy stage. He frequently indulged his childhood fantasy of becoming a movie star. Among his later credits were supporting parts in “Car Wash” (1976), “Bill and Ted’s Excellent Adventure” (1989), “The Prince of Tides” (1991), and “Dogma” (1999).

His 1997 book, “Brain Droppings,” became an instant best seller. And among several continuing TV roles, he starred in the Fox sitcom “The George Carlin Show,” which aired for one season. “That was an experiment on my part to see if there might be a way I could fit into the corporate entertainment structure,” he said after the show was canceled in 1994. “And I don’t,” he added. Despite the longevity of his career and his problematic personal life, Mr. Carlin remained one of the most original and productive comedians in show business. “It’s his lifelong affection for language and passion for truth that continue to fuel his performances,” a critic observed of the comedian when he was in his mid-60s. And Chris Albrecht, an HBO executive, said, “He is as prolific a comedian as I have witnessed.”

Mr. Carlin is survived by his wife, Sally Wade; daughter Kelly Carlin McCall; son-in-law, Bob McCall, brother, Patrick Carlin and sister-in-law, Marlene Carlin. His first wife, Brenda Hosbrook, died in 1997.

Although some criticized parts of his later work as too contentious, Mr. Carlin defended the material, insisting that his comedy had always been driven by an intolerance for the shortcomings of humanity and society. “Scratch any cynic,” he said, “and you’ll find a disappointed idealist.”

Still, when pushed to explain the pessimism and overt spleen that had crept into his act, he quickly reaffirmed the zeal that inspired his lists of complaints and grievances. “I don’t have pet peeves,” he said, correcting the interviewer. And with a mischievous glint in his eyes, he added, “I have major, psychotic hatreds.”

Dody Goodman, stage and TV comedian, dies at 93

Dody Goodman
Born: 10/28/1914
Died: 6/22/2008
Age: 93

Full name: Dolores Goodman
Noted For: actress; "Mary Hartman, Mary Hartman" (Martha Shumway, 1976), Grease (197 cool , "Alvin & the Chipmunks" (Miss Rebecca Miller, 1983-8 cool .

Dody Goodman, stage and TV comedian, dies at 93

By MICHAEL KUCHWARA, AP Drama Writer Mon Jun 23, 1:50 PM ET

NEW YORK - Dody Goodman, the delightfully daffy comedian known for her television appearances on Jack Paar's late-night talk show and as the mother on the soap-opera parody "Mary Hartman, Mary Hartman," has died at 93.

Goodman died Sunday at Englewood (N.J.) Hospital and Medical Center, said Joan Adams, a close family friend. The actress had been ill for some time and had lived in the Actors Fund Home in Englewood since October, Adams said.

Goodman, with her pixyish appearance and Southern-tinged, quavery voice, had an eclectic show-business career. She moved easily from stage to television to movies, where she appeared in such popular films as "Grease" and "Grease 2," playing Blanche, the principal's assistant, and in "Splash."

It was on "The Tonight Show" when Paar was the late night TV program's second host in the late 1950s that Goodman first received national attention. Her quirky, off-kilter remarks inevitably got laughs and endeared audiences.

"I was just thrown into the talking," Goodman said in a 1994 interview with The Associated Press. "I had no idea how to do that. In fact, they just called me up and asked me if I wanted to be on 'The Jack Paar Show.' I didn't know who Jack Paar was. They said, 'We just want you to sit and talk."'

After a falling out with Paar, other chat shows took up the slack, including "The Merv Griffin Show" and "Girl Talk." And there were roles on TV series, too, most notably her appearances as Martha Shumway (Louise Lasser's mother) on "Mary Hartman, Mary Hartman," starting in 1976, and guest shots on such shows as "Diff'rent Strokes," "St. Elsewhere" and "Murder, She Wrote."

In later years, Goodman was a regular in "Nunsense" and its various sequels, appearing off-Broadway and on tour in Dan Goggin's comic musical celebration of the Little Sisters of Hoboken. She started out playing Sister Mary Amnesia, later graduating to the role of Mother Superior.

"Dody had the most impeccable comic timing," Goggin said. "When we had her in the show, she was the only person on Earth who could walk on stage, say, 'Are you ready to start?' and bring the house down. Within seconds, the audience was eating out of her hand."

The actress was born Dolores Goodman on Oct. 28, 1914, in Columbus, Ohio, where her father ran a small cigar factory. She arrived in New York in the late 1930s to study dance at the School of American Ballet and the Metropolitan Opera Ballet School, and later graduated to Broadway musicals.

The actress performed regularly on stage in the 1940s and early '50s as a chorus member in such musicals as "Something for the Boys," "One Touch of Venus," "Laffing Room Only," "Miss Liberty," "Call Me Madam," "My Darlin' Aida" and "Wonderful Town," in which she originated the role of Violet, the streetwalker.

"I had to make so many transitions into other things," Goodman said in the AP interview. "When I first came out of dancing, I did revues."

It was the early to mid-'50s, when small, topical nightclub revues flourished. Goodman, a natural comedian, thrived in them. She performed in shows by Ben Bagley and Julius Monk, and in Jerry Herman's first effort, a revue called "Parade."

In more recent times, she appeared on David Letterman's late-night talk show.

"He understands my sense of humor. I will do a dumb thing for fun. That's how I got the reputation for being dopey and dumb. I don't like dumb jokes but I will do dumb things for a laugh," she said in the AP interview.

Goodman, who never married, is survived by seven nieces and nephews, 11 great nieces and nephews and 15 great-great nieces and nephews, Adams said.

A memorial service is planned.

Larry Harmon, longtime Bozo the Clown, dead at 83



By JOHN ROGERS, Associated Press Writer Thu Jul 3, 6:14 PM ET

LOS ANGELES - Larry Harmon, who turned the character Bozo the Clown into a show business staple that delighted children for more than a half-century, died Thursday of congestive heart failure. He was 83.

His publicist, Jerry Digney, told The Associated Press he died at his home.

Although not the original Bozo, Harmon portrayed the popular clown in countless appearances and, as an entrepreneur, he licensed the character to others, particularly dozens of television stations around the country. The stations in turn hired actors to be their local Bozos.

"You might say, in a way, I was cloning BTC (Bozo the Clown) before anybody else out there got around to cloning DNA," Harmon told the AP in a 1996 interview.

"Bozo is a combination of the wonderful wisdom of the adult and the childlike ways in all of us," Harmon said.

Pinto Colvig, who also provided the voice for Walt Disney's Goofy, originated Bozo the Clown when Capitol Records introduced a series of children's records in 1946. Harmon would later meet his alter ego while answering a casting call to make personal appearances as a clown to promote the records.

He got that job and eventually bought the rights to Bozo. Along the way, he embellished Bozo's distinctive look: the orange-tufted hair, the bulbous nose, the outlandish red, white and blue costume.

"I felt if I could plant my size 83AAA shoes on this planet, (people) would never be able to forget those footprints," he said.

Susan Harmon, his wife of 29 years, indicated Harmon was the perfect fit for Bozo.

"He was the most optimistic man I ever met. He always saw a bright side; he always had something good to say about everybody. He was the love of my life," she said Thursday.

The business — combining animation, licensing of the character, and personal appearances — made millions, as Harmon trained more than 200 Bozos over the years to represent him in local markets.

"I'm looking for that sparkle in the eyes, that emotion, feeling, directness, warmth. That is so important," he said of his criteria for becoming a Bozo.

The Chicago version of Bozo ran on WGN-TV in Chicago for 40 years and was seen in many other cities after cable television transformed WGN into a superstation.

Bozo — portrayed in Chicago for many years by Bob Bell — was so popular that the waiting list for tickets to a TV show eventually stretched to a decade, prompting the station to stop taking reservations for 10 years. On the day in 1990 when WGN started taking reservations again, it took just five hours to book the show for five more years. The phone company reported more than 27 million phone call attempts had been made.

By the time the show bowed out in Chicago, in 2001, it was the last locally produced version. Harmon said at the time that he hoped to develop a new cable or network show, as well as a Bozo feature film.

He became caught up in a minor controversy in 2004 when the International Clown Hall of Fame in Milwaukee took down a plaque honoring him as Bozo and formally endorsed Colvig for creating the role. Harmon denied ever misrepresenting Bozo's history.

He said he was claiming credit only for what he added to the character — "What I sound like, what I look like, what I walk like" — and what he did to popularize Bozo.

"Isn't it a shame the credit that was given to me for the work I have done, they arbitrarily take it down, like I didn't do anything for the last 52 years," he told the AP at the time.

Harmon protected Bozo's reputation with a vengeance, while embracing those who poked good-natured fun at the clown.

As Bozo's influence spread through popular culture, his very name became a synonym for clownish behavior.

"It takes a lot of effort and energy to keep a character that old fresh so kids today still know about him and want to buy the products," Karen Raugust, executive editor of The Licensing Letter, a New York-based trade publication, said in 1996.

A normal character runs its course in three to five years, Raugust said. "Harmon's is a classic character. It's been around 50 years."

On New Year's Day 1996, Harmon dressed up as Bozo for the first time in 10 years, appearing in the Rose Parade in Pasadena.

The crowd reaction, he recalled, "was deafening."

"They kept yelling, `Bozo, Bozo, love you, love you.' I shed more crocodile tears for five miles in four hours than I realized I had," he said. "I still get goose bumps."

Born in Toledo, Ohio, Harmon became interested in theater while studying at the University of Southern California.

"Bozo is a star, an entertainer, bigger than life," Harmon once said. "People see him as Mr. Bozo, somebody you can relate to, touch and laugh with."

Besides his wife, Harmon is survived by his son, Jeff Harmon, and daughters Lori Harmon, Marci Breth-Carabet and Leslie Breth.