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Raincrow
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PostPosted: Thu Jul 23, 2009 9:11 pm


Some say that a snappy first line is the best way to snag a reader, be it the first line of the story or the first line of a chapter. Of course, some may believe this more than others, but let's face it: Sometimes just looking at opening lines is damn fun.

So how 'bout it? What are your opening lines? Which is your favorite? Which is your least favorite? And what are some of your favorite opening lines from books you've read?

And, of course, just feel free to discuss opening lines in general. How important do you believe they really are? How much time do you put into them? In your experience, has an opening line ever been pivotal for the development of a story/chapter?
PostPosted: Fri Jul 24, 2009 9:49 am


I think the first line of Twilight is the best ever!!! /Valley girl accent

JUST KIDDING. I generally read the first paragraph instead of just the first line when I pick out books to read, but nevertheless:

The story that follows is one I never intended to commit to paper.
--Elizabeth Kostova, The Historian

I hope you're reading this, Mark.
--D.J. MacHale, Pendragon: The Merchant of Death

It was night again. The Waystone Inn lay in silence, and it was a silence of three parts.
--Patrick Rothfuss, The Name of the Wind

And just for fun:
His Royal Highness Kaddar, prince of Siraj, duke of Yamut, count of Amar, first lord of the Imperium, heir apparent to His Most Serene Majesty Emperor Ozorne of Carthak, fanned himself and wished the Tortallans would dock.
--Tamora Pierce, Emperor Mage

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Raincrow
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PostPosted: Fri Jul 24, 2009 1:38 pm


irian-andaluv
His Royal Highness Kaddar, prince of Siraj, duke of Yamut, count of Amar, first lord of the Imperium, heir apparent to His Most Serene Majesty Emperor Ozorne of Carthak, fanned himself and wished the Tortallans would dock.
--Tamora Pierce, Emperor Mage

"Meanwhile, the readers fanned themselves and wished the first sentence would end."
/snark (Though who am I to talk? C.S. Lewis's Caspian was "Caspian the Tenth, King of Narnia, Lord of Cair Paravel, Emperor of the Lone Islands, also called Caspian the Seafarer." I even seem to recall his title being shortened to "Caspian the Tenth, King of Narnia, etc." But his name was never the opening sentence of a book. Not that any of it matters. /tangent)

Favorite lines I've read:
"There was a boy called Eustace Clarence Scrubb, and he almost deserved it."
--C.S. Lewis, The Voyage of the Dawn Treader (And if you look at the other opening lines of the series, you'll see that this one is really a cut above the rest.)

"It was a dumb thing to do, but it wasn't that dumb."
--Robin McKinley, Sunshine (The rest of the book, however...ehhh.)

"All children, except one, grow up. They soon know that they will grow up, the way Wendy knew was this."
--J.M. Barrie, Peter Pan

And I second the opening line of The Name of the Wind. Admittedly, I had completely forgotten the name of Kote's inn. sweatdrop

Incidentally, I can recite the entire opening paragraph of The Voyage of the Dawn Treader, Peter Pan, and Waste of Time, which just goes to show exactly how much extra time I have on my hands. I ought to use that brainspace for memorizing poetry instead.

Shoot. I should have brought my thumb drive to the cafe with me so I could give you all a taste of the really horrendous opening lines I used to come up with. I think one was something along the lines of, "When in blazes is this bloody circus going to start?" xd

Some that I do have on hand, however:
"When they first told me about Earl, I didn't believe them. I mean, what kind of self-respecting ghost has a name like Earl?"
--"The St. Claire After Ten"

"Mallory, Nora, and Vicky turned down Mallory’s parents offer to carpool on the way down to Nashville."
--"Polonius Says"

Let's see, the old opening line for MOSI was:
"All was silent, save for the sound of dripping water."
And I saw that line every time I opened the document for upwards of four years. Which is probably part of the reason why I now keep each chapter in its own file. I only have to look at the most recent opening line. >>; If I really wanted to torment myself, I'd use that line to open a chapter about Lower Trimore.

The original MOSI chapter two was:
"Jericho was taking the opportunity to get a good look at their surroundings."
Blaaaaand.

Original MOSI chapter three:
"Jericho had his hands full as he and his companions made their way back the way they had come."
Why all the focus on Jericho all the time? Oh yeah, this used to be omniscient.

And the other thirteen original chapters seem to be elsewhere (read: thumb drive).

Current MOSI opening lines:
"The city slept later than perhaps it should have, but after the previous night's revels most of the inhabitants felt that the world would forgive them if they spent a few extra hours in bed."

"Their train was late."

"Had Sabine been making her journey to Emanon twenty-four years earlier, the journey would mostly have been by boat." (What was that, Officer Lockstock?)

"Silence settled over the crypt, thick and dry as the dust, as both parties waited for an explanation neither seemed able to give."

"Vitae did not, to his knowledge, have amnesia."

And a story about a time when an opening line was crucial:
When I set out to re-write MOSI last semester, the opening line was, "It was the morning after May Day, ..." and then some commentary on how lovely the rain was and blah blah blah. It did absolutely nothing for me. I could do nothing with it. I was stuck. So, in a moment of bitter rebellion, I changed the opening line to, "It was the day after May Day, and it was miserable." And from there, the entire chapter fell into place. Later I changed it to, "It was the day after May Day, and gray clouds darkened the sky," and eventually to the current one, which was the second line of the second paragraph, because several sources told me it would work better as an opener. Which just proves that even if it helped me write the chapter, the first line is not necessarily godly. I don't think it's even really there anymore. The fact that it's the morning after May Day is just insinuated.

Long post is long. Sorry, guys. sweatdrop
PostPosted: Fri Jul 24, 2009 3:11 pm


Opening lines... yeah...

Well, there was this one opening line... from this one book... on tape. And I have a really bad memory, so I can't remember what it was. Something about Rome being sacked.

I myself do not get along particularly well with the whole "you have to grab the reader's attention!" school of thought, but this might have something to do with the fact that I'm absolutely rubbish at opening lines. So far I have... a lackluster description of how Mary Suishly pretty Kita is, closely followed by the fact that Feragel doesn't want to see her, but that's the second line; "Zaya's three would be remembered for that summer." again closely followed by a better line: "Artists' renderings would clog the airways through June, and later, in August, pinups would litter the streets like wanted posters;" the decidedly craptastic "Amanda Redford was a smiling, bustling woman" in which the interesting bit doesn't really figure in until the end of the second paragraph. That's zero for three, right there.

In addition, I don't like opening lines that are significantly better than the rest of the work, it just makes me dislike the rest that much more as I keep hoping that this is just a part the author didn't spend much time on, and that it'll get better. I do not appreciate reading on, and on, and on, in the vain hope that it'll get better.

Kita-Ysabell

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jestingly.yours

PostPosted: Fri Jul 24, 2009 11:31 pm


Rae, you're a freak.

A creepy, mind-reading freak, because I was just thinking the other day about a thread for first lines. Though I was more thinking WORST first lines, for which I was going to use... the one that irian-andaluv supplied.

Goddamnit. I am redundant. sad

EDIT: My favorite first line ever is "Sylvie had an amazing life, but she didn't get to live it very often." From The Great Good Thing, by Roderick Townley.
PostPosted: Sat Jul 25, 2009 2:48 am


I've always meant to read The Great Good Thing, ever since I saw it in the Scholastic book order catalog in middle school. Is it any good? (Always keeping in mind that I'll read almost anything under a 5th grade reading level just for the hell of it.)

As for terrible first lines, I just found my own treasure trove of them, starting with the first on record:

"Run, Draco, run!"
--Untitled story, hitherto known as Dracoverse

Three opening lines from three different drafts of "Of Earth, Water, Fire, and Air":
"The air was thick."
"Bethiza Kwandell was sitting on the back porch of her home in the Forest Village, knitting."
"Garrett sighed pleasantly as Ketz circled the old forest, searching for a clearing in which they could land."

And further chapters thereof:
"The next order of business was to make my home."
"That morning I shot a rabbit for breakfast, and for the first time, felt a little lonely."
"Head over heels over talons over wings, over and over and over and over!"
"I started toward the village."
"'Hey. Hey Ara. Ara, wake up!'"
"We landed."
"It was rather like building a treehouse."
"We drifted farther and farther off course as the days went by."
"Lightning lit up the sky."
"We stayed on the cloud for a week and a half."
"That night we all gathered in the concert hall."
"I woke up early the next morning."
"I couldn't sleep."

Absolutely nothing catching or interesting about any of those lines. Dead in the water. Complete duds. It's kind of fun re-reading this story, though. It's so bad, it's almost hilarious. Every so-often you get little gems like, "It’s interesting how some people shrug, like there’s some sort of art to it." I think I must have lifted that from somewhere. Probably Sharon Creech's Absolutely Normal Chaos.

Raincrow
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jestingly.yours

PostPosted: Sat Jul 25, 2009 11:27 pm


I liked The Great Good Thing, though it was a little slow at times. And it really didn't make a lot of sense, but that was okay. Also I've just looked it up, and apparently there's a sequel called Into the Labyrinth in which their book is uploaded onto the internet. Huh. I kind of want to check that out.

Actually, after more out-checkage, it's a ******** trilogy. The third book involving their book going into outer ******** space.

I don't even know what to say. So moving onto more thread-relevant... things:

Winner for vaguest, trippiest first line ever: "In watermelon sugar the deeds were done, and done again as my life is done in watermelon sugar." From In Watermelon Sugar by Richard Brautigan, who is trippily awesome.

I love the entire first chapter of the first Harry Potter book, but here's the first line: "Mr and Mrs Dursley, of number four, Privet Drive, were proud to say that they were perfectly normal, thank you very much."

I hate first lines that are dialogue, or "The first time I... " or "I remember when... " or especially onomatopoeia.
PostPosted: Sun Jul 26, 2009 12:36 am


I agree. Stand-alone onomatopoeia make me cringe, but stand-alone onomatopoeia as opening lines make me want to break things. I can only deal with dialogue as an opening line if it's the opening line for a chapter, by which point I ought to be so engaged in the plot that I shouldn't notice what the chapter's opening line is.

Personally, nothing drives me more batty than an introductory paragraph which opens with the main character sitting around doing nothing, usually someplace outdoors, windy, secluded, and with a nice view. It goes into great detail about what the character looks like, as she "sighs lightly," moves "gracefully," at some point interacts with her "tresses," and looks at the breath-taking landscape with her eyes-in-a-wide-variety-of-color. Usually she isn't happy about something, and only after this paragraph of slogging crap is she allowed to do anything interesting.

Incidentally, I always used to feel compelled to describe a character in just such a way, never as an introduction, but usually before the end of the first two pages.

Since it already looks like I've expanded this post to include opening exposition, I'd like to mention my two most favorite open-with-a-chapter-chock-full-of-exposition books: Howl's Moving Castle and Spindle's End.

Respective first lines:
"In the land of Ingary, where such things as seven-league boots and cloaks of invisibility really exist, it is quite a misfortune to be born the eldest of three."

"The magic in that country was so thick and tenacious that it settled over the land like chalk-dust and over floors and shelves like slightly sticky plaster-dust."

I think Howl's Moving Castle manages to make the opening exposition interesting by making it clear how all this information is relevant to the main character. And, looking at it now, it's really only the first three pages or so that include dense exposition. But my point still stands. There's so much information in that first chapter, it's a wonder it doesn't drag more.

Spindle's End almost does get bogged down in its exposition, which spirals in a seemingly aimless fashion for eleven pages before getting on with the birth of the princess and whatnot. However, the country being expounded upon is so very interesting, one almost doesn't mind.

(Chapter Fifteen of Spindle's End, for instance, begins with a very engaging, albeit paragraph-long, sentence about how autumn storms blow so much magic into the chimney pots that they'll relocate to other places of their own accord. And I believe another chapter opens with a mention that most of the spring's cabbages had come up as daffodils.)

Raincrow
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erikakaiser
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PostPosted: Sun Aug 23, 2009 11:26 pm


My favorite types of opening lines tend to be ones that directly involve action, instead of a thought or an observation. Generally there has to be some sort of motion going on or I'm disinterested -- floaty, observational beginnings, like Rae mentioned, tend towards me putting the book down before I give it a chance.

I honestly can't think of many favorites off the top of my head. I'd have to go poke at some of my better-liked books.

There's a book by Clive Barker, Mister B. Gone, that isn't one of his better ones, but opens with the line "Burn this book." That was pretty fun.

And there's way too much onomatopoeia hate in this thread. I am all about the comic book sound effects in writing if they're not raped to excess.
PostPosted: Mon Aug 24, 2009 1:36 pm


erikakaiser
And there's way too much onomatopoeia hate in this thread. I am all about the comic book sound effects in writing if they're not raped to excess.

I don't so much mind onomatopoeia if it's used in a sentence. And I give authors bonus points for making up a new onomatopoeia that more accurately describes the sound in question.

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schmeddyhead

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PostPosted: Sat Sep 05, 2009 1:25 pm


My works tend not to have particularly epic opening lines. Heh.

My good lines tend to come in the second or third sentence, my first lines tend to be set-up for the better lines. So, I guess I don't put much weight on the first line, but rather the first paragraph/page.

First lines:

Untitled:

"El Rio was the sort of place any suburban parent would tell their kids not to walk around at night."

Almost Nymphet

"'Tell us about James Harris.'"

Hunter

"I stopped crying when I was nine years old."

My favorite opening lines are from two of my shorts, actually:

Red, Red! RED.

"Sway hips, flushed cheeks, black dress, red lips."

In the Mind of Boys

"It wasn’t like I hadn’t thought about it first."
PostPosted: Sat Sep 05, 2009 1:38 pm


User Image
N o t h i n g really matters. . .
♥ ☼ ♥ ☼ ♥ ☼ ♥

There's only one opening line that caught me in a book, and that was from Stephen King's the Gunslinger. It sounded like a good twist to my favorite poem (The rest of the series made me scream and go: "Dammit! I knew you still sucked, King!" I don't like his writings...)

The opening line is: "The man in black fled across the desert and the gunslinger followed." I love me some Walter O' Dim.

My opening lines are slightly epic, or, at least I like them.

"The cruel reality had caused the gunslinger to dim; the daisy shone."
-The Daisy, book one of my nine book series.

"It was always the plaguing question, the constant echo that seemed to roll off of everyone's tongue."
-Guilty Saint

"Within the old suare of the old town, fenced in partially and marked with an ivory sign, stood a court house and a man with a pint of wine."
-And the Court House

♥ ☼ ♥ ☼ ♥ ☼ ♥
. . .Nothing really matters, to m e.

The Mysterious Gunslinger


Raincrow
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PostPosted: Sat Sep 05, 2009 11:26 pm


And now for more sucky lines from the original draft of MOSI!

Chapters 4-16:
"The horizon ended."
"Yinda did not, in fact, stay with Vitae for very long."
"The morning sun shone futilely through a thick, high canopy of clouds; the proverbial light hidden under a bushel."
"Vitae found it difficult to sleep that night."
" 'They'd been traveling together for three months before Yinda got the urge to drag Jericho over to meet the family.' "
"By Jericho’s calculations and a map he had bought in Greynaught, they were nearing the border between the Western and Southern nations."
"The sun hung high in the sky over the courtyard outside Nathan’s workshop."
"The group paused just inside the cover of the trees and Sabine passed around the tin of lemon balm Nathan had given her."
"While Jericho staggered off to find a place to sleep and Nathan rushed back to his workshop, Sabine was already in the infirmary."
"Yinda and Leste arrived sometime during the afternoon, escorted by a Border Guard search party."
"When the group awoke the next morning, Nathan was nowhere to be found."
"Apart from the initial joy over Nathan’s success, there really wasn’t much to celebrate."
"At Jericho’s insistence, they once again boarded the very last passenger car on the train."

Some of these lines, robbed of context, sent my mind motorboating through the sewer.
PostPosted: Fri Oct 23, 2009 10:23 am


Let's look through my thumbdrive:

The whip cracked across his face once, twice, leaving a red, stinging X. - "Exile"

Young Michael watched from the skies as his small, baby earthly body, slowly being deprived of the gift of life, struggled to resist the forces overtaking it. - "Saving Grace"

The day Ria was born was the worst day of her parents’ lives. - "Nothing's Perfect"

The first thing she noticed was that there was a rhythm to the pounding of the vicious blades that threatened to rip her to shreds. - The Searching: Maker

It had been a year since they’d settled down. - The Searching: Shadow

I rolled my eyes as we struck another bad chord. - "Recycled Angels"

As far as other books go, I like the opening of Atlas Shrugged. I haven't really paid any attention to the opening lines of other books...

Andirigible


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PostPosted: Mon Dec 07, 2009 4:05 am


I SUCK AT OPENING LINES. I will now proceed in an attempt to provide entertaining examples.

"Though it seemed an obscenely cruel thing to at the end of a particularly bloody quest in which our three main protagonists had spent most of their time scuba diving through hepatitis infected moats just to get into a rotting castle infested with a prolific army of acid spewing zombies, Danielle woke up with perfect hair."

"If you thought about it, it wasn't all that surprising how quickly things went wrong."

"Having spent a good deal of his life in boarding school, Julian had learned to appreciate his alone time."

"School had already started, and camping, Taylor argued, wasn't really in the schedule anymore."

"It wasn't the first time Ash had ever woken up in the hospital; it was, however, the first time he'd ever woken up in such an incredible amount of pain." You can just imagine the horrible, horrible things I did to him from then on.

Here's a different story with a slightly different, earlier version of Ash...
"Finally deciding to die had made Ash feel... well, ironically festive for the first time in months."

"The air in the shuttle was cold. It was quite a bit above the almost absolute zero of the space just outside the hull, but it was cold enough so that when Henri spoke, his breath misted over the small, round window and Conor had to palm it away in order to see outside."

"It was summer again, and all the windows in their crumbling, third floor apartment had been wound wide open; a feeble invitation to any wayward breeze that might have gotten lost in the suffocating inner-city heat."

I kind of want to cheat on these and show a bit more. If you disprove... just read the first lines.
“'You really wished for this?' Molly asked, looking down the length of 16th street. Now completely devoid of the usual pedestrians, it was somehow eerie-- like the husk of a cicada, never really alive, but now very, very dead."

"The thing about working in such a large and busy hospital was that on any given day, there were thousands of things to clean, and, if he ever got around to it, plenty of people to feed. Part of the problem with feeding the patients, however, was that getting shipments of anything from the outside world was incredibly rare, and these interesting delights were always split and devoured among the staff, which, funnily enough, didn't actually need the food."

"Days like today were not particularly unusual for Molly. It had started well enough-- well, if you 'started' the day at midnight, anyway, it had started pretty damn well." ((Different Molly character, lol))

"There was a peaceful melancholy about an October dusk that really got to Charlie. It was yet early in the month, and the vague smell of warm asphalt still swirled around the porch, settling as the temperature dropped with the sun. She lifted her cup to her lips slowly, smelling the alcohol, letting the scent bully its way through her senses before she took a long swallow and reflected on how perfect a cocktail she had picked-- whiskey and pineapple."

The rest I went through were all so mortifyingly, embarrassingly bad that I refuse to show them.
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