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The World Ends With You: Seven Days Of Chaos

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The clock is counting down, you have one week, trapped in Shibuya; let's hope you don't get erased. 

Tags: TWEWY, Sho Minamimoto, Shibuya, The World Ends With You, T1 Roleplay 

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So Zetta SIow
Crew

Dangerous Trafficker

11,450 Points
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PostPosted: Sun Oct 10, 2010 5:53 pm


Week 1 Day 1:

As is common knowledge, all Games in the UG take place under Our supervision. However, this particular Game is saddled with a nigh-unbelievable set of extenuating circumstances, catching the attention of the Higher Plane. Thus, I shall be taking a more hands-on role this time, as detailed in this report.


The core differences in this Game are as follows:

1: it's role in plans for Shibuya's destruction,
2: the Composer's absence from the UG,
3: the resulting limitations to his powers, and
4: the Game being played by a proxy.

The Composer has informed me of two major points:

that he plans to destroy the UG, but also that his final decision will hinge on the outcome of his Game with the Conductor.


A provisional rule for this Game requires the Composer to vacate the Underground.

It is unprecedented for the Composer to be absent during a Game. I cannot predict what effect it may have.

Furthermore, the Composer must lower the frequency of his vibe to travel from the UG to the RG, inevitably curtailing his abilities.


This makes investigating the Conductor and his strategy incredibly difficult, as the Composer is still the only one who knows who and what I am.

It means lingering in the UG to author reports carries a lethal risk.


the greatest randomizer in the current Game is the
use of a handpicked proxy to compete against the
Conductor in the Composer's stead. No information on this person exists at present.


While the situation seems dire, I believe the key to getting ahead of all of this is at hand.

You see, time builds upon the past.
I have already located our key. It is a pin request from the Conductor.


Normally, the psych manifestations of pins are determined by one's Imagination. Thus, by analyzing the pin, the user's Imagination▬▬or rather, their true intentions▬▬are revealed.


Unfortunately, this order came through the Composer, and never came into contact with the Conductor. Thus, I could not use it to determine the nature of his Imagination.



I, too, have lowered my vibe to tune in to the UG, limiting my abilities.



However, at this stage, realizing that this pin holds
the key is sufficient. The possibility of forestalling the plans for the UG's destruction remains.

-Copied from The World Ends With You.

PostPosted: Wed Jul 13, 2011 7:49 am


(I don't know if any of you needs this, but I will put how to complete the Days, though I will not include the Pig Noise. I'm sure you can find those yourselves :3)

Week 1 Day 2:

-Get the sailor suit. (Yup, he's a monumental freak)
Defeat the Noise by the Moyai statue, then talk to the man by the Moyai


As the Game was set to end, I felt an intense burst of Soul. And at its source, I found the Composer's handpicked proxy--one Neku Sakuraba.

Let it be noted that once danger was past, the Soul he expelled rapidly tapered off.

I shal define Soul as it exists in the UG later. For now, let it suffice to say it is the energy he bears within him.

His unstable Soul is the result of a rift between his body and emotional mind.

This discord can be traced to a few causes:
1: his dense and all-inclusive Soul compositon.
2: emotional confusion inhibiting the unity of his emotional self and physcial body, and
3: the exacerbation of that confusion by memory loss, due to his entry fee.

However, anyone possessing such diverse Soul can become a formidable wielder of Imagination.
The Composer was right to choose this boy.

Shibya's fate may rest on how well he manages to stabilize his Soul.

To measure his stability, I gave him a Harmonizer Pin. It can only be used when he cooperates with his partner.

Synchronizing with another hinges on his ability to first stabilize his own Soul; thus, successful use of the pin would indicate he has made progress on that front.

The further he is able to push his and his partner's psych resonance through Fusion, the greater his own internal stability will become.

The progress of his Soul merits close observation henceforth.

-copied from the The World Ends With You :3-

Akari Ryou ZX
Vice Captain

Proxy Player


Akari Ryou ZX
Vice Captain

Proxy Player

PostPosted: Wed Jul 13, 2011 4:32 pm


Week 1 Day 3

-Get the yukata (The forgotten ramen)
After you learn imprinting, go back to Ramen Don to get the "ramen" meme. Imprint that on the tech, then return to Ramen Don

-Eliminate the boss symbol No. 88 within this chaper at Hard or above.
Vespertillo Canor is found in the Concert Stage after encountering 777



Allow me to redefine the Composer's role. As I continue to observe the Game's progress, I have a clear view of the enormous effect of the Composer's absence. A clear definition of his duties are key to understanding the extent of this disruption.

The Composer holds absolute authority over the Underground. By "authority" I mean the right to determine rules. He is the only one who can change the composition of the UG, and sole creator of this Shibuya.

The Underground Shibuya is created and organized by the Composer's rules, which pit Players against Reapers in a struggle for survival.

A new Composer only arises when the previous one is defeated; the victor takes the victim's place. As this juncture, the new Composer rewrites the rules of UG Shibuya.

However, there being no Composer at all is a different situation. It means the rules that make up the UG are invalid.

In other words, without a Composer, the Underground collapses.

However, the Composer's absence is still a secret. At present, only three people know; the Composer himself; his opponent, the Conductor; and the Producer--me.

The Producer's role is that of guardian over the Game. For observation purposes, he must sometimes descend from the Higher Plane to the Underground. While the Producer is natively entity from the Higher Plane, he can adjust the frequency of his vibe to visit the UG and lower planes.

Think of a radio. Going from station A to station UG simply requires tuning in to a different frequency.

The Producer has the power to contact any and all beings of the Underground.

However, he is strictly prohibited from revealing his identity in the UG.

His existence endangers the stability of the rules and balance of the UG and the RG. Thus, the Producer's identity must stay a secret from the Reapers and Players--not to mention those in the RG.

He may freely contact only one person as the Producer, and that is the Composer.

-copied from The World Ends With You :3-
PostPosted: Wed Jul 13, 2011 5:57 pm


Week 1 Day 4

-Get the Mrs. Claus outfit ("I said, I want to go shopping!")
When Shiki says she wants to go shopping, go to the scramble.

-Eliminate the boss symbol No. 87 within this chapter at Hard or above.
Megumi is found in the scramble

-Eliminate the boss symbol No. 80 within this chapter at Hard or above.
Beat is found at the 104 Building


The UG exists as a seperate plane where the Composer can judge the worth of men.

Within it are Reapers and human Players. It is infeasible for the Composer to judge all of humanity by himself, so as a filtering system utilizing the Reapers was created: the Reaper's Game. Reapers act as a test, weeding out unfit Players.

Upon becoming a Reaper, one's physical body changes, gaining incredible strength and an extended lifespan.

As Reaper and Player alike progress through the Game, engaging in Imagination--driven combat, their Soul is refined.

Soul is abstract matter revealed through Our research into life and death, and a component in the makeup of the atmosphere, humans, will, thought--all phenomena.

As Reapers execute the Game, they undergo a process of evolution, from grunts to officers to the Composer.

However, reapers that follow the ideal route are rare, and most are erased by Players.

Reaper or Player, those erased within the Game disperse the mind and spirit housed within their flesh in the form of Soul. Thus, they are erased only from visible existence; their Soul persists in the UG until gathered and tied together according to a new code.

This new code is, essentially, Imagination.
Given sufficient Imagination, any form is possible, be it a pin or a Reaper.

Variations in this code cause the Soul to manifest in different forms.

In other words, humans, Reapers, and Noise are all entities formed of Soul. The only difference is ther code.

And what are Noise? Entites without conscious will, only the drive to multiply.Thus, they constantly thrist for Soul, attacking Players and possesing humans in the Realground.

Soul consumed by Noise is destroyed, even if the Noise is erased.

Thus, possessed humans often exhibit a rush of euphoria immediately after the Noise is removed.

Though untested, the same would likely hold were a Player or Reaper possessed.

-copied from The World Ends With You :3-

Akari Ryou ZX
Vice Captain

Proxy Player


Akari Ryou ZX
Vice Captain

Proxy Player

PostPosted: Thu Jul 14, 2011 5:40 am


Week 1 Day 5

-Get Mr. Ducky (White! White! White!)
When the man plays Reaper Creeper, go to White 3 times

-Eliminate the boss symbol No. 90 within this chapter at Hard or above.
Cornix Canor is found in Molco.


The Realground and Underground are planes of existence. Other planes exist as well; the one inhabited solely by Noise, for example, or Our customary plane.

The planes are stacked in parallel, though each exists at a different frequency vibe, in tune with its inhabitants.

Observing a lower plane from a higher plane is simple. Actual trans-planar contact, while possible, is highly complex. The vies of adjacent planes are closer, making passage between them comparatively easier.

More distant planes show greater differences in vibe frequencies, and thus communion becomes more difficult.

The UG exists just above the RG, allowing those in the UG to observe the RG, but not vice versa.

Noise exist on a special plane that straddles both the RG and UG, enabling their interference in the affairs of both. When Players come into contact with Noise, they are drawn into the Noise plane.

In other words, Players are forcibly tuned in the Noise plane.

Conversely, there exists an even higher plane than the RG and UG. That is where I am from, the plane of the Angels.

As in the RG and UG, Angels have created a web of social schema to guide their activities. The role of Producer is just one cog in the Angel machine.

Angel vibes are extremely high-frequency; not even the Composer can catch them all. In actuality, he can pick up only that of the Producer.

As you can see, inter-planar contact is besest by difficulty, but certain modes do exist for its realization.

One is the modulator decal. Within its area of effect, Players from the UG can manifest visibly in the RG and communicate with others there.

Reapers and the Composer can down-tune their vibes at will. Near these decals, however, even their vibes will be forcibly adjusted to the lower frequency.

Another mode, imprinting, requires no physical manifestation in the RG.

Imprintees experience the conferred thoughts as bursts of inspiration. The reliability of these comminiques thus depends upon the person receiving it.

For example, successful communcation with preoccupied people is unlikely. Furthermore, recipient interpretation of said "inspiration" colors the message, making imprinting unreliable at best.

"Reaper Creeper" was created as a mode of popular communication between the planes.
Modulating paralogos printed on paper allow for limted UG interaction with the Realground objects. As those in the RG are unaware of Players, they percieve the illusion of a coin moving by itself.

-copied from The World Ends With You :3-
PostPosted: Thu Jul 14, 2011 5:53 am


Week 1 Day 6

-Get the Solid Slammer ("Totally gnarly!")
Defeat the Noise symbols around the promoter Makoto, then you will get memes. Imprint "Totally gnarly!" on Nao. Answer the Reaper's questions at the top right (1. Edoga the Shop 2. High heels 3. Bubbles) to move on. When Makoto talks to Shooter, imprint "Totally gnarly!" on him


I recieve periodic communication from the Composer. While we mantain contact, I am prohibited from providing him with information for risk of unbalancing the Game.

I am permitted ony to respond to his commissions for certain items, and even then am able only to create and deliver said items.

The Composer has requested increased phone functionality for use in the next Game.

Today, the proxy's partner, one Shiki Misaki, freed herself from her defining value--envy. With this, the Composer is convinced of the proxy's victory on the seventh day.

His confidence arises because the proxy's intervention was indispensable in causing his partner's growth. It signals the proxy's departure from his obsessive self-actualization loop.
Previously, even the the Composer was unsure of his proxy's capacity for growth.

Normally, the Composer possesses a certain degree of clairvoyant foresight. His current down-tuned state, however, limits his abilities, clouding this supertemporal vision.

Though able to observe the UG from the Realground, he is otherwise saddled with limitations.

For one, his outward appearance. He looks younger than he would at full vibe frequency within the UG. Fortunately, this prevents the Reapers from recognizing him as the Composer.

To begin with, the Composer contacts Reapers only through the Conductor, so most are unaware of what he looks like. Additionally, as the being in the Underground with the highest vibe, some lesser Reapers are incapable of perceiving him.

The effects of down-tuning occur because the Composer's vibe and the RG's frequency are substantially different.

For Reapers, the down-tuning necessary to exist in the RG is significantly less, and thus effects less prominent changes. That said, it depends on the Reaper. At any rate, the effect is minimal, making Reapers much more frequent visitors to the Realground.

Provided they complete their duties, Reapers may do as they wish in the RG within certain accepted boundaries.

-copied from The World Ends With You :3-

Akari Ryou ZX
Vice Captain

Proxy Player


Akari Ryou ZX
Vice Captain

Proxy Player

PostPosted: Thu Jul 14, 2011 6:13 am


Week 1 Day 7

-Get the Mr. Mew suit. (The p-- b-- of love)
Go to Molco to the "phone booth of love" to find the "!!!"

-Eliminate the boss symbol No. 91 within this chapter at Hard or above
Higashizawa is at the Station Underpass.


As the Composer predicted, the proxy has won the Game.

So, what happens to those who survive the week? Those whose Imagination is less oustanding are broken down into Soul, while those with excellent Imagination become Reapers. The most talented of these may travel to the next plane, inhabited by Us Angels.

Diligent Reapers, too, may pass through the office of Composer to ascend to the plane of Angels.

Now, a what if...

This may sound odd, but one may also choose to be reincarnated. Well, the word "reincarnation" is not quite accurate, for the humans of the UG are not truly dead. They merely possess different Soul code, and have been tuned in to a different plane.

We Angels do not consier it a loss if a talented Player elects to return to the Realground, as their superior Imagination will inspire other humans.

Upon returning to life, the exceptional Player's creative activities soon make their mark upon society. His art, music, and other output become a part of culture, spreading and persisting through time, refining peoples' Imagination even without personal contact with the Player.

Certainly, this requires time, but no one has ever accused Angels of being in a hurry. The Composer's absence during this particular Game, however, means that reincarnation is not an option.

Only the Composer possesses the level of Imagination necessary to reincarnate. It is beyond the Conductor's means.

The Conductor continues to act as if the Composer were present, but this farce can only continue so long. I will be watching with great curiosity to see how the Conductor responds once his ruse unravels.

As I was busy writing reports, the boy in my custody, Beat, went missing.

Beat has expressed curiosity in how Noise was created. Perhaps he plans to ask a Reaper. But even without specific instruction from them, he has the ability now.

I gave him a pin filled with the special Imagination required to create Noise, and imprinted him with instructions for its use.

This does not qualify as interference in the Game.

The information I gave him will have no impact on teh Game's results.

It was merely a token of my esteem for his unflinching passion towards what he holds dear. Whether he uses this power, and how, is completely up to him.

-copied from The World Ends With You :3-
PostPosted: Thu Jul 14, 2011 6:35 am


Week 2 Day 1

-Get the potted plant. (Meet up with the secret)
Examine the Statue of Hachiko.


As predicted by the Composer, his proxy has entered the Game a second time.

The proxy has proven his aptitude, and will be joined in the next Game by the Composer himself as his new partner.

There are three reasons behind the Composer's choice of actions:
1: to ascertain the Conductor's strategy,
2: to educate his proxy, and
3: to protect him.

With his return to the UG, the limits on the Composer's abilities will be relaxed.

However, using his abilities could reveal his identity. As such, he will need to continue to limit himself for a while longer. This presents a certain set of risks.

The greatest risk, however, lies with the Composer joining the proxy for this Game.

The Composer's presence, his tremendously high vibe will place a great deal of physical and psychological strain on the proxy.

Furthermore, the proxy's victory in the previous Game has won him back his memory. The self-actualization loop binding the proxy is thus stronger than ever--more deeply ensconced even than the envy cleared from Shiki in the previous Game.

There is a possibility of the proxy's Soul destabilizing, negating its progress during the previous Game. Slight problems also persist with the proxy's personality.

How long will the proxy be able to bear being side by side with the Composer?

-copied from The World End With You :3-

Akari Ryou ZX
Vice Captain

Proxy Player


Akari Ryou ZX
Vice Captain

Proxy Player

PostPosted: Thu Jul 14, 2011 7:15 pm


Week 2 Day 2

-Get Supermask's mask. ("I cracked the code.")
After defeating the Noise at Cadoi City, visit Spain Hill's Mexican Dog.

-Eliminate the boss symbol No. 86 within this chapter at Hard or above.
Taboo Minamimoto waits at Tipsy Tose Hall.


Today, an alert was handed down: the discovery of a Fallen Angel.

A Fallen Angel is one who has broken the Angel's code--a criminal. Their crime: revealing the secrets of Taboo Noise refinery to the Game Master, Minamimoto.

Minamimoto knows the Composer's RG identity (secret to even the Conductor), and has chased him to the Realground. The Fallen Angel may also have supplied him with this information.

Minamimoto lusts to take the Composer's place, and his potential to do so comes second only to that of the Conductor. Despite being a complete outsider in the wager between Composer and Conductor, he stands to hinder the Composer greatly. It is entirely possible Minamimoto may rise to the office of Conductor before this wager has been decided.

All eyes from the Higher Plane are on this game for the future of Shibuya. Should its result be invalidated by outside interference, the Angels' disappointment would be vast.

So... What is the Fallen Angel's goal? Dominion over the Underground? Retribution against the Angels?

Whatever the case, we must carefully monitor Minamimoto's actions and stay viligant against this Fallen Angel.

-copied from The World Ends With You :3-
PostPosted: Thu Jul 14, 2011 7:26 pm


Week 2 Day 3

-Get the pirate hat. (Spicy tuna roll)
When the story takes you to the Concert Stage, the tech should be in the back. Talk to him, and afterward, claim the item.

-Eliminate the boss symbol No. 44 within this chapter at Hard or above.
Progfox is at Miyashita Park.


I was finally able to hand over the phone tracking application the Composer requested some time back.

I informed the Composer it was ready three days ago, but they apparenlty had no time to come pick it up. It just shows how carefully the proxy is planning each move.

The application detects the Conductor's Imagination. With it, one can walk around Shibuya and piece together the Conductor's strategy.

At this point, even I cannot fathom the Conductor's plan. I will have to rely on the information gathered by the Composer.

While I wait for his findings, I will work on the Compser's next order--a second revision to the phone's functunality.

Today also marks my first contact with the proxy since he formed a pact with the Composer. He appears considerably wary of his partner at present time.

As expected, the psychological strain is severe. So severe, in fact, that most Players would be unable to continue. Right now, the only thing keeping the proxy in the Game is his entry fee.

At least his dangerously strained state of mind is acting to heighten his Soul. I saw no sign of relapse or destabilization; rather, the return of his memory seems to have yielded only positives.

I look forward to watching the proxy's continued growth.

-copied from The World Ends With You :3-

Akari Ryou ZX
Vice Captain

Proxy Player


Akari Ryou ZX
Vice Captain

Proxy Player

PostPosted: Thu Jul 14, 2011 7:39 pm


Week 2 Day 4

-Get the samurai wig. (The secret reports' author)
After the scene with the phone booth in Molco, go to WildKat for a scene.


The Composer's reports indicate rough going in his investigation.

I suspect the limits upon his abilites.
Meanwhile, Minamimoto has not issued any missions. The Reaper elites must be alarmed as well.
Perhaps this is more of the Fallen Angel's influence.

As I've stated, Minamimoto is suspected of a liaison with a Fallen Angel.

The Fallen Angel may have chosen Minamimoto for a few reasons.

First, none desired the Composer's office more. Minamimoto's obsession was great enough to compel him to pursue the Composer into the Realground.

Unlike simple Reapers, however, the Composer's powers are not lost in the RG. I can just imagine the shock dawning on Minamimoto's face as I write this...

Yes, the Composer must down-tune to the frequency of the Realground, limiting his powers. However, Minamimoto is in the same boat. As a result, the differences in their abilities remained unchanged. Thus, the assassination attempt failed.

While Minamimoto's efforts were fruitless, they serve as ample proof of his convictions.

The second reason the Fallen Angel may have targeted him is his lack of loyalty to the Reapers' organization and his preference for solo action.

His distaste for cooperation meant little chance of him revealing the Fallen Angel's presence.

The third reason is his consistently unconventional aesthetic. His bizarre actions regularly cause confusion among those around him. Even if the Fallen Angel were to urge him to do something out of the ordinary, that would be ordinary for him. No one would suspect a thing.

This is why he is an ideal target for a Fallen Angel to work his agenda without raising suspicion. At least, it seems a logical conclusion.

The question now is, why has Minamimoto abandoned the Game, and what is he doing?

I suspect that his only current objective is to take out the Composer. If so, he is likely preparing for the seventh day and his opportunity to confront the Players.

Just what did the Fallen Angel tell Minamimoto?

Perhaps no one will ever know.

-copied from The World Ends With You :3-
PostPosted: Thu Jul 14, 2011 7:52 pm


Week 2 Day 5

-Get the biker gloves. (Lord of the Tin Pin losers)
When you reach Miyashita Park Underpass and speak to the Reaper, lose to him on purpose.

-Eliminate the boss symbol No. 82 and No. 84 within this chapter at Hard or above.
Uzuki and Kariya are found in Udagawa.


The proxy feels an affection for the art of the designer CAT--myself. As he was picked by the Composer, this is hardly coincidence. It was an inevitability.

CAT's creative works are embedded with command codes. His art acts as a medium for mass imprinting.

The imprinting Players use works only on an individual basis. However, through art, one can affect anyone who comes into contact with the work.

I imbue my art with two command codes. The first is "Enjoy the moment more." This strengthens the Imagination. The proxy recieved this signal loud and clear, through past trauma precluded him from responding accordingly.

The second code, "Gather," calls to those with strong Imaginations. Hence the inevitability: why wouldn't the Composer find his worthy proxy standing in front of my graffiti?

A single reason exists for rigging my art in this way: the creation of the future requires Imagination.

My art is widely accepted in Shibuya.

This proves that those with Imaginations sufficient to create the future are gathering in the area. Shibuya's future is looking very bright.

-copied from The World Ends With You :3-

Akari Ryou ZX
Vice Captain

Proxy Player


Akari Ryou ZX
Vice Captain

Proxy Player

PostPosted: Thu Jul 14, 2011 8:01 pm


Week 2 Day 6

-Get the ninja garb. (Just for you, jerkface)
When faced with the choices, pick No each time.

-Eliminate the boss symbol No. 22 within this chapter at Hard or above.
Grindcore Minks are found at AMX.

I have finished Revision Two of the phone tracking app, which allows it to detect the Shibuya River. The Composer aims to use this device to convey the river's location to the proxy.

Before passing that knowledge along, the Composer needed to understand the Conductor's plan. As of yesterday, he felt confident in his hypothesis.

The Composer had encountered Red Skull pins everywhere the detector had lead--the same pins I had created at the Conductors behest on the first day. As I suspected, they form a prime piece of his strategy.

The Imagination he has filled those pins with is the same as that in the Player Pin; imprinting. They are set apart, however, by a single, major difference:

The Red Skull pins are made to imprint targets with the Conductor's will.

Anyone wearing the Red Skull pin is dominated by the Conductor's mind. The further the pins are spread, the more people he controls. However, the Red Skull pins have penetrated less than half of Shibuya's Realground population in the last two weeks.

At this rate, the Conductor's strategy will end in failure.

How does he intend to penetrate the rest of Shibuya?

I will be monitoring his actions closely.

-copied from The World Ends With You :3-
PostPosted: Thu Jul 14, 2011 8:21 pm


Week 2 Day 7

-Get the boys' unifrom with blazer. (Def March lives again!)
Enter and exit the Concert Stage to get the item.

-Eliminate the boss symbol No. 92 within this chpter at Hard or above.
Minamimoto waits at Shibukyu Main Store.


The final day's mission came from the Conductor: eliminate Minamimoto.

Unexpected as it was, tension ran high, but the Composer's quick thinking saved the day. In the end, all went according to his plan, and he successfully guided the proxy on to the next Game.

His solution entailed first defeating Minamimoto, thereby ensuring the proxy's victory. Secondly, the Composer pretended to be erased by Minamimoto while shielding the proxy.

To accomplish this, he fled to a parallel world just before Minamimoto's final attack connected.

The proxy survived the Game alone, but was again unable to elect reincarnation, due to the Composer's illegal participation in the Game.

For better or worse, the Game between the Composer and Conductor concludes in one week's time.

The Conductor's strategy may end in failure, but we will see. I need to keep a close eye on his future actions.

All I can do is wait for the Composer to inform me of which parallel world he escaped to.

-copied from The World Ends With You :3-

Akari Ryou ZX
Vice Captain

Proxy Player


Akari Ryou ZX
Vice Captain

Proxy Player

PostPosted: Thu Jul 14, 2011 8:36 pm


Week 3 Day 1

-Get the girls' unifrom with blazer. (Meet up with the secret)
Examine the Statue of Hachiko.

-Eliminate the boss symbol No. 81 within this chapter at Hard or above.
Uzuki Yashiro is at the West Exit Bus Terminal.

-Eliminate the boss symbol No. 83 within this chapter at Hard or above.
Koki Kariya is at the West Exit Bus Terminal.


I've begun patrolling Shibuya in pursuit of the Conductor's strategy. While in Udagawa, I spotted Minamimoto's Taboo Noise refinery sigil.

Several types of these sigils exist in various categories which We of the Higher Plane have classified. Not all of them, however, will work in the UG--its vibe frequency is simply too low for them to translate properly.

The sigil Minamimoto drew was one of these undecodable types. Was that a mistake on the Fallen Angel's part? Or was it a transcription error by Minamimoto?

Either way, with that design, he stands little chance of reviving himself.

However, Minamimoto is driven, and his Imagination is strong. Perhaps strong enough to make a Taboo sigil work, even in the Underground... If so, the specific result would be impossible to predict.

Anything that might interfere with the Composer and Conductor's wager is to be avoided at any cost. I will personally neutralize Minamimoto's sigil.

Angels may not interfere in the Reapers' Game, but this contest will decide Shibuya's future. The Higher Plane cannot idly stand by.

Meanwhile, the Conductor has dealt a preemptive blow: the starting Player count in this final Game is one.

I cannot be certain whether the Conductor knows that Neku Sakuraba is the proxy, but this serves restriction in the number of entrants ensures Player erasure. In this flagrant abuse of his privilege, he has eliminated the threat of the proxy.

With the Composer in a parallel world, the proxy's position is perilous. Still, as Producer, I am bound by the rules. I can offer him no help...

All I can do is guide him to the Shibuya River.

Call it luck or fate, even by himself the proxy has managed to form a pact. He's partnered to Beat, now a Reaper, who is himself fixated on reaching the river. As such, guiding the proxy will reuqire little work on my part.

Still, I haven't uncovered the Conductor's strategy for this final week. I can't afford to relax quite yet.

-copied from The World Ends With You :3-
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