Aetherna's Sanctum is located on the fringe of The Glade. The trees surrounding the glade provide just enough space for a cozy-sized cottage to nestle in. The architecture is based on one of three default blueprints provided by the Aekea Housing Commission.
The house's exterior is done in white stucco; cool and rough to the touch. It's durability is well known, although The Glade's weather is very temperate, the stucco may prove its worth one day. The house is built in the Tudor Style - timber on the exterior of the building provides a whimsical, Medieval touch. The roof borrows some design from the English thatched roof but the shingles appear to be to be covered in a waterproof sealant, made noticeable by the gathering of morning dew. Port-hole and Shoji inspired windows grace the house, along with a few small flower boxes holding hearty and fragrant flowers.
Upon passing through the main door, an ever-changing interior is lit by two "modern" Shoji windows - the natural-beige paper is sandwiched between two clear sheets of a plexi-type plastic. The general layout is a plain one; bed in one corner, desk in another, television in the third, entry door at the fourth. There is no flowing theme throughout the house and unpacked boxes reveal that the house is not yet set and done. Various wall-adornments are on display, while a few plants help to recycle the air within the living space.
The house's exterior is done in white stucco; cool and rough to the touch. It's durability is well known, although The Glade's weather is very temperate, the stucco may prove its worth one day. The house is built in the Tudor Style - timber on the exterior of the building provides a whimsical, Medieval touch. The roof borrows some design from the English thatched roof but the shingles appear to be to be covered in a waterproof sealant, made noticeable by the gathering of morning dew. Port-hole and Shoji inspired windows grace the house, along with a few small flower boxes holding hearty and fragrant flowers.
Upon passing through the main door, an ever-changing interior is lit by two "modern" Shoji windows - the natural-beige paper is sandwiched between two clear sheets of a plexi-type plastic. The general layout is a plain one; bed in one corner, desk in another, television in the third, entry door at the fourth. There is no flowing theme throughout the house and unpacked boxes reveal that the house is not yet set and done. Various wall-adornments are on display, while a few plants help to recycle the air within the living space.